{"title":"Alison Halsall和Jonathan Warren主编的《LGBTQ+漫画研究读者:批判的开端,未来的方向》(评论)","authors":"J. Coleman","doi":"10.1353/uni.2023.a903114","DOIUrl":null,"url":null,"abstract":"Debbie Olson’s look at “The Colour of Innocence” within her larger survey of how live-action films for children (and family films that star children) manufacture and privilege notions of innocence is also noteworthy, as are Matthew Smith’s study of girlhood in early British and Hollywood cinema, Bettina Kümmerling-Meibauer’s investigation of how the avant-garde manifests in children’s films, Timothy Shary’s study of the figure of the “tween” in Hollywood films, and Claudia Alonso-Recarte and Ignacio Ramons-Gay’s exploration of the ethical implications of the ways children’s films both work with and represent live animals. Altogether, The Oxford Handbook of Children’s Film is quite an accomplishment. Brown and the contributors have moved the scholarship forward not incrementally but by leaps and bounds. The volume is an essential purchase for libraries, and scholars from film studies to children’s literature would find it a highly useful addition to their personal collections.","PeriodicalId":43426,"journal":{"name":"LION AND THE UNICORN","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions ed. by Alison Halsall and Jonathan Warren (review)\",\"authors\":\"J. Coleman\",\"doi\":\"10.1353/uni.2023.a903114\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Debbie Olson’s look at “The Colour of Innocence” within her larger survey of how live-action films for children (and family films that star children) manufacture and privilege notions of innocence is also noteworthy, as are Matthew Smith’s study of girlhood in early British and Hollywood cinema, Bettina Kümmerling-Meibauer’s investigation of how the avant-garde manifests in children’s films, Timothy Shary’s study of the figure of the “tween” in Hollywood films, and Claudia Alonso-Recarte and Ignacio Ramons-Gay’s exploration of the ethical implications of the ways children’s films both work with and represent live animals. Altogether, The Oxford Handbook of Children’s Film is quite an accomplishment. Brown and the contributors have moved the scholarship forward not incrementally but by leaps and bounds. The volume is an essential purchase for libraries, and scholars from film studies to children’s literature would find it a highly useful addition to their personal collections.\",\"PeriodicalId\":43426,\"journal\":{\"name\":\"LION AND THE UNICORN\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LION AND THE UNICORN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/uni.2023.a903114\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LION AND THE UNICORN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/uni.2023.a903114","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
引用次数: 0
摘要
黛比·奥尔森(Debbie Olson)在她对儿童真人电影(以及儿童主演的家庭电影)如何制造和特权天真概念的更大调查中对《天真的色彩》(The Colour of Innocence)的研究也值得注意,马修·史密斯(Matthew Smith)对早期英国和好莱坞电影中的少女时代的研究也是如此,贝蒂娜·库默林·梅鲍尔(Bettina Kümmerling Meibauer)对先锋派如何在儿童电影中表现的调查,蒂莫西·沙里(Timothy Shary)对好莱坞电影中“青少年”形象的研究,克劳迪娅·阿隆索·雷卡特(Claudia Alonso Recarte)和伊格纳西奥·拉蒙斯·盖伊(Ignacio Ramons Gay。总之,《牛津儿童电影手册》是一项相当大的成就。布朗和贡献者们推动了这项奖学金的发展,并不是渐进式的,而是跨越式的。这本书是图书馆的必备品,从电影研究到儿童文学的学者们都会发现它是他们个人收藏中非常有用的补充。
The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions ed. by Alison Halsall and Jonathan Warren (review)
Debbie Olson’s look at “The Colour of Innocence” within her larger survey of how live-action films for children (and family films that star children) manufacture and privilege notions of innocence is also noteworthy, as are Matthew Smith’s study of girlhood in early British and Hollywood cinema, Bettina Kümmerling-Meibauer’s investigation of how the avant-garde manifests in children’s films, Timothy Shary’s study of the figure of the “tween” in Hollywood films, and Claudia Alonso-Recarte and Ignacio Ramons-Gay’s exploration of the ethical implications of the ways children’s films both work with and represent live animals. Altogether, The Oxford Handbook of Children’s Film is quite an accomplishment. Brown and the contributors have moved the scholarship forward not incrementally but by leaps and bounds. The volume is an essential purchase for libraries, and scholars from film studies to children’s literature would find it a highly useful addition to their personal collections.
期刊介绍:
The Lion and the Unicorn is a theme- and genre-centered journal of international scope committed to a serious, ongoing discussion of literature for children. The journal"s coverage includes the state of the publishing industry, regional authors, comparative studies of significant books and genres, new developments in theory, the art of illustration, the mass media, and popular culture. It has become noted for its interviews with authors, editors, and other important contributors to the field, such as Mildred Wirt Benson, Robert Cormier, Chris Crutcher, Lensey Namioka, Philip Pullman, and Aranka Siegal.