{"title":"《圣路易斯幽灵》:林小说的流派、全球化与白人民族主义问题","authors":"Kurt Cavender","doi":"10.1353/arq.2021.0004","DOIUrl":null,"url":null,"abstract":"his article is concerned with efforts by recent fiction to grapple with the complicated entanglement of US imperialism, globalization, and white nationalism in American cultural and political life. Specifically, it attempts to understand how two recent nov-els—Philip Roth’s The Plot Against America (2004) and Melanie Benjamin’s The Aviator’s Wife (2013)—approach","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"77 1","pages":"106 - 83"},"PeriodicalIF":0.1000,"publicationDate":"2021-03-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/arq.2021.0004","citationCount":"1","resultStr":"{\"title\":\"The Specter of St. Louis: Genre, Globalization, and the Problem of White Nationalism in Contemporary Lindbergh Fiction\",\"authors\":\"Kurt Cavender\",\"doi\":\"10.1353/arq.2021.0004\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"his article is concerned with efforts by recent fiction to grapple with the complicated entanglement of US imperialism, globalization, and white nationalism in American cultural and political life. Specifically, it attempts to understand how two recent nov-els—Philip Roth’s The Plot Against America (2004) and Melanie Benjamin’s The Aviator’s Wife (2013)—approach\",\"PeriodicalId\":42394,\"journal\":{\"name\":\"Arizona Quarterly\",\"volume\":\"77 1\",\"pages\":\"106 - 83\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-05\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/arq.2021.0004\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arizona Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/arq.2021.0004\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arizona Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/arq.2021.0004","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
The Specter of St. Louis: Genre, Globalization, and the Problem of White Nationalism in Contemporary Lindbergh Fiction
his article is concerned with efforts by recent fiction to grapple with the complicated entanglement of US imperialism, globalization, and white nationalism in American cultural and political life. Specifically, it attempts to understand how two recent nov-els—Philip Roth’s The Plot Against America (2004) and Melanie Benjamin’s The Aviator’s Wife (2013)—approach
期刊介绍:
Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.