{"title":"“Shudder”与特定类型SVOD服务的美学与平台逻辑","authors":"J. Balanzategui, Andrew Lynch","doi":"10.1177/15274764221093602","DOIUrl":null,"url":null,"abstract":"Major subscription-video-on-demand (SVOD) services including Netflix and Apple TV+ target a wide range of consumers through catalogs that house a diverse variety of genres. However, as the SVOD ecology has evolved, services have emerged that focus on particular genres, and thus target enthusiasts of specific content types. This article examines the horror-focused SVOD service “Shudder” to highlight how these genre-specific SVOD services curate content in ways that differ from major services like Netflix. Unlike the top-tier generalist SVODs, niche services like Shudder do not appeal to users via personalized algorithmic recommendation of titles from a seemingly limitless catalog: instead, these services are branded around the affective pleasures of and fan cultures surrounding specific genres. Our analysis of Shudder combines interface and genre analysis to illuminate how the platform offers a “phenomenal experience” of generic immersion in ways that reflect on new intersections between SVOD platforms, genre, nostalgia, and cinephilic subcultures.","PeriodicalId":51551,"journal":{"name":"Television & New Media","volume":"24 1","pages":"156 - 172"},"PeriodicalIF":2.4000,"publicationDate":"2022-05-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services\",\"authors\":\"J. Balanzategui, Andrew Lynch\",\"doi\":\"10.1177/15274764221093602\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Major subscription-video-on-demand (SVOD) services including Netflix and Apple TV+ target a wide range of consumers through catalogs that house a diverse variety of genres. However, as the SVOD ecology has evolved, services have emerged that focus on particular genres, and thus target enthusiasts of specific content types. This article examines the horror-focused SVOD service “Shudder” to highlight how these genre-specific SVOD services curate content in ways that differ from major services like Netflix. Unlike the top-tier generalist SVODs, niche services like Shudder do not appeal to users via personalized algorithmic recommendation of titles from a seemingly limitless catalog: instead, these services are branded around the affective pleasures of and fan cultures surrounding specific genres. Our analysis of Shudder combines interface and genre analysis to illuminate how the platform offers a “phenomenal experience” of generic immersion in ways that reflect on new intersections between SVOD platforms, genre, nostalgia, and cinephilic subcultures.\",\"PeriodicalId\":51551,\"journal\":{\"name\":\"Television & New Media\",\"volume\":\"24 1\",\"pages\":\"156 - 172\"},\"PeriodicalIF\":2.4000,\"publicationDate\":\"2022-05-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Television & New Media\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1177/15274764221093602\",\"RegionNum\":2,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Television & New Media","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1177/15274764221093602","RegionNum":2,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"COMMUNICATION","Score":null,"Total":0}
“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services
Major subscription-video-on-demand (SVOD) services including Netflix and Apple TV+ target a wide range of consumers through catalogs that house a diverse variety of genres. However, as the SVOD ecology has evolved, services have emerged that focus on particular genres, and thus target enthusiasts of specific content types. This article examines the horror-focused SVOD service “Shudder” to highlight how these genre-specific SVOD services curate content in ways that differ from major services like Netflix. Unlike the top-tier generalist SVODs, niche services like Shudder do not appeal to users via personalized algorithmic recommendation of titles from a seemingly limitless catalog: instead, these services are branded around the affective pleasures of and fan cultures surrounding specific genres. Our analysis of Shudder combines interface and genre analysis to illuminate how the platform offers a “phenomenal experience” of generic immersion in ways that reflect on new intersections between SVOD platforms, genre, nostalgia, and cinephilic subcultures.
期刊介绍:
Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.