“Shudder”与特定类型SVOD服务的美学与平台逻辑

IF 2.4 2区 文学 Q1 COMMUNICATION Television & New Media Pub Date : 2022-05-13 DOI:10.1177/15274764221093602
J. Balanzategui, Andrew Lynch
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引用次数: 1

摘要

包括Netflix和Apple TV+在内的主要订阅视频点播(SVOD)服务通过包含各种类型的目录面向广泛的消费者。然而,随着SVOD生态的发展,出现了专注于特定类型的服务,从而瞄准了特定内容类型的爱好者。本文研究了以恐怖为重点的SVOD服务“Shudder”,以强调这些特定类型的SVOD如何以不同于Netflix等主要服务的方式策划内容。与顶级多面手SVOD不同,像Shudder这样的小众服务并没有通过看似无限的目录中的个性化算法推荐来吸引用户:相反,这些服务是围绕着特定流派的情感乐趣和粉丝文化而打造的。我们对Shudder的分析结合了界面分析和类型分析,阐明了该平台如何以反映SVOD平台、类型、怀旧和电影亚文化之间新的交叉点的方式提供普遍沉浸的“非凡体验”。
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“Shudder” and the Aesthetics and Platform Logics of Genre-Specific SVOD services
Major subscription-video-on-demand (SVOD) services including Netflix and Apple TV+ target a wide range of consumers through catalogs that house a diverse variety of genres. However, as the SVOD ecology has evolved, services have emerged that focus on particular genres, and thus target enthusiasts of specific content types. This article examines the horror-focused SVOD service “Shudder” to highlight how these genre-specific SVOD services curate content in ways that differ from major services like Netflix. Unlike the top-tier generalist SVODs, niche services like Shudder do not appeal to users via personalized algorithmic recommendation of titles from a seemingly limitless catalog: instead, these services are branded around the affective pleasures of and fan cultures surrounding specific genres. Our analysis of Shudder combines interface and genre analysis to illuminate how the platform offers a “phenomenal experience” of generic immersion in ways that reflect on new intersections between SVOD platforms, genre, nostalgia, and cinephilic subcultures.
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来源期刊
CiteScore
5.60
自引率
5.00%
发文量
49
期刊介绍: Television & New Media explores the field of television studies, focusing on audience ethnography, public policy, political economy, cultural history, and textual analysis. Special topics covered include digitalization, active audiences, cable and satellite issues, pedagogy, interdisciplinary matters, and globalization, as well as race, gender, and class issues.
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