平台圈和Web 2.0的社会文化爆炸:数字符号圈的商业中心

IF 1 1区 文学 0 HUMANITIES, MULTIDISCIPLINARY Sign Systems Studies Pub Date : 2020-12-31 DOI:10.12697/SSS.2020.48.2-4.04
K. Bankov
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引用次数: 0

摘要

本文运用文化符号学的工具对数字文化进行了一般性的探索,并特别采用了符号圈模型。Web2.0平台被视为我们这个时代的主要文化决定因素,是互联网塑造数字文化的最具代表性的方式。目前,全球大多数人口都沉浸在数字文化中。在本文的第一部分中,探讨了Web2.0平台和符号圈之间惊人的相似性,并确定了经典(Lotman)符号模型的元素与这些平台或平台圈之间的等价性。第二部分探讨了符号圈中心的“遗传密码”(如Lotman所设想的)与平台核心的计算机代码和商业算法之间的根本区别,后者负责其文化运作。然后,研究了过去的文化现实和当代的主动(甚至是侵略性)平台核心之间的相似之处,在过去的文化真实中,知识精英和学者是文化的驱动力,在当代,秘密和专利保护的算法塑造了一个完全受商业成功逻辑驱动的文化现实。
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Platfospheres and sociocultural explosion of Web 2.0: The commercial centre of the digital semiosphere
This paper explores digital culture with the tools of cultural semiotics in general, and then employing the semiosphere model in particular. Web 2.0 platforms are taken as the major cultural dispositive of our time, as the most representative way in which the internet shapes digital culture. Most of the global population is currently immersed in digital culture. In the first part of the paper the striking similarities between Web 2.0 platforms and the semiosphere are explored and equivalences between the elements of the classic (Lotman’s) semiotic model and these platforms, or platfospheres, are identified. The second part explores the fundamental difference between the “genetic code” at the centre of the semiosphere (as conceived by Lotman), and the computer code and commercial algorithms at the core of the platfospheres that are responsible for their cultural operation. Then the parallels are examined that arise between the past cultural reality, in which the intellectual elite and academics were the driving force of culture, and the contemporary proactive (or even aggressive) core of the platfospheres, in which secret and patent-protected algorithms shape a cultural reality exclusively motivated by the logic of commercial success.
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来源期刊
Sign Systems Studies
Sign Systems Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
1.40
自引率
0.00%
发文量
11
审稿时长
8 weeks
期刊最新文献
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