——詹姆斯·鲍德温《与弗里茨·j·拉德茨对谈》(1978)

Q1 Arts and Humanities James Baldwin Review Pub Date : 2018-09-11 DOI:10.7227/JBR.4.11
Gianna Zocco
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引用次数: 0

摘要

这是德国作家、编辑和记者弗里茨·J·拉达茨1978年在鲍德温位于圣保罗·德·万斯的家中对詹姆斯·鲍德温进行的第一次英文采访。同年,它以德语发表在周报《时代周报》上,也发表在拉德达茨与国际作家对话的一本书上,并以意大利语翻译发表在《共和国报》上。采访涵盖了鲍德温当时兴趣的各种主题,其中包括他对吉米·卡特总统任期的想法,他计划返回美国的原因,他在20世纪60年代和70年代黑人民权活动家被谋杀后的幻灭,以及爱和性在他的文学作品中的作用。特别强调的是讨论纳粹德国和美国种族主义之间可能的相似之处,鲍德温最突出地将整个纽约市比作集中营。由于版权原因,本次再版以德语编辑版的英文译本为基础。在马尔巴赫的德国文学档案馆可以找到拉德达茨和鲍德温之间一小时的英语对话录音带。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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“I live a hope despite my knowing better”: James Baldwin in Conversation with Fritz J. Raddatz (1978)
This is the first English-language publication of an interview with James Baldwin conducted by the German writer, editor, and journalist Fritz J. Raddatz in 1978 at Baldwin’s house in St. Paul-de-Vence. In the same year, it was published in German in the weekly newspaper Die Zeit, as well as in a book of Raddatz’s conversations with international writers, and—in Italian translation—in the newspaper La Repubblica. The interview covers various topics characteristic of Baldwin’s interests at the time—among them his thoughts about Jimmy Carter’s presidency, his reasons for planning to return to the United States, his disillusionment after the series of murders of black civil rights activists in the 1960s and 1970s, and the role of love and sexuality in his literary writings. A special emphasis lies on the discussion of possible parallels between Nazi Germany and U.S. racism, with Baldwin most prominently likening the whole city of New York to a concentration camp. Due to copyright reasons, this reprint is based on an English translation of the edited version published in German. A one-hour tape recording of the original English conversation between Raddatz and Baldwin is accessible at the German literary archive in Marbach.
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来源期刊
James Baldwin Review
James Baldwin Review Arts and Humanities-Literature and Literary Theory
CiteScore
0.30
自引率
0.00%
发文量
13
审稿时长
16 weeks
期刊最新文献
“You Know What’s Cool about James Baldwin, Man?” “This Loaded Present” “A Very Dangerous Effort” On the Fugitive Radicalism of Jimmy’s Blues “Love Is the Key”
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