(De)殖民地定位

IF 0.2 4区 艺术学 N/A ART Photography and Culture Pub Date : 2022-01-02 DOI:10.1080/17514517.2022.2039501
N. Mangalanayagam
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引用次数: 0

摘要

瑞典-丹麦边境,2009年父亲去世前不久,我和母亲开车带他从瑞典前往丹麦。我们在海边的一家美术馆度过了美好的一天,参观了乡村的大房子,吃了一顿丹麦午餐。在返回的路上,当我们走近大桥,通过海关时,我们被挥手示意停下来。我在开车。我父亲坐在我旁边的前排座位上。我妈妈坐在我身后。我摇下窗户,听到警察的声音。他看了我一眼,又看了我爸爸一眼,最后又看了坐在后座上的妈妈一眼。他用瑞典语问她我们去了哪里,要去哪里,我们的国籍是什么。警察在我身后对我母亲说,这是一次尴尬的谈话。我父亲静静地坐着,低头看着他的膝盖,直到我们被允许继续前行。我很生气,但我知道如果我大闹一场,我会让父亲难过的。在剩下的汽车之旅中,我想知道这些互动对我父母、我的泰米尔父亲和我的丹麦母亲之间的关系有什么影响。
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(De)Colonial Positioning
Swedish–Danish border, 2009 Shortly before my father passed away, my mother and I took him on a car journey from Sweden to Denmark. We had a nice day in an art gallery by the sea, looked at big houses in the countryside and had a Danish lunch. Approaching the bridge on our way back, going through customs we were waved over to stop. I was driving. My father sat next to me in the front seat. My mother sat behind me. I rolled down the window to hear the policeman. He looked at me, looked at my father and lastly looked at my mother in the back seat. In Swedish, he asked her where we had been, where we were going, what our nationality was. The policeman addressed my mother behind me. It was an awkward conversation. My father sat silent, looking down into his lap, until we were allowed to carry on. I was furious, but knew I would upset my father if I made a scene. For the remaining car journey, I wondered what these interactions had done to the relationship between my parents, my Tamil father and my Danish mother.
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来源期刊
CiteScore
0.30
自引率
33.30%
发文量
22
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