{"title":"安德里亚·德拉·罗比亚的两种建筑浮雕揭示的工作坊实践","authors":"Wendy Walker, C. Riccardelli","doi":"10.1086/707572","DOIUrl":null,"url":null,"abstract":"architectural reliefs in The Metropolitan Museum of Art revealed fingerprints, tool marks, coded numbering systems, and an apparent nonchalance with handling clay that provided fresh insight into the dynamic human engagement and mastery of the material that is characteristic of the Della Robbia workshop. The backs and sides of reliefs that are often hidden from the viewer— because they are framed, situated in niches, or mortared into a wall or ceiling—contain information that can lead to a deeper understanding of the creative process, perhaps more directly than any other source. During the critical early stages of conservation treatment, which are predominantly activities of observation and examination, conservators may rely on microchemical tests or Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia","PeriodicalId":42073,"journal":{"name":"METROPOLITAN MUSEUM JOURNAL","volume":"54 1","pages":"47 - 61"},"PeriodicalIF":0.2000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1086/707572","citationCount":"0","resultStr":"{\"title\":\"Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia\",\"authors\":\"Wendy Walker, C. Riccardelli\",\"doi\":\"10.1086/707572\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"architectural reliefs in The Metropolitan Museum of Art revealed fingerprints, tool marks, coded numbering systems, and an apparent nonchalance with handling clay that provided fresh insight into the dynamic human engagement and mastery of the material that is characteristic of the Della Robbia workshop. The backs and sides of reliefs that are often hidden from the viewer— because they are framed, situated in niches, or mortared into a wall or ceiling—contain information that can lead to a deeper understanding of the creative process, perhaps more directly than any other source. During the critical early stages of conservation treatment, which are predominantly activities of observation and examination, conservators may rely on microchemical tests or Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia\",\"PeriodicalId\":42073,\"journal\":{\"name\":\"METROPOLITAN MUSEUM JOURNAL\",\"volume\":\"54 1\",\"pages\":\"47 - 61\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1086/707572\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"METROPOLITAN MUSEUM JOURNAL\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1086/707572\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"METROPOLITAN MUSEUM JOURNAL","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1086/707572","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
大都会艺术博物馆(The Metropolitan Museum of Art)的建筑浮雕展示了指纹、工具标记、编码的编号系统,以及对处理粘土的明显漠不关心,这让我们对Della Robbie工作室特有的动态人类参与和对材料的掌握有了新的了解。浮雕的背面和侧面通常对观众隐藏着——因为它们是框架式的、位于壁龛中的,或者用灰泥砌在墙上或天花板上——其中包含的信息可以让人们更深入地理解创作过程,可能比任何其他来源都更直接。在保护处理的关键早期阶段,主要是观察和检查活动,保护人员可能会依靠微化学测试或Andrea Della Robbia的《两种建筑浮雕揭示的车间实践》
Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia
architectural reliefs in The Metropolitan Museum of Art revealed fingerprints, tool marks, coded numbering systems, and an apparent nonchalance with handling clay that provided fresh insight into the dynamic human engagement and mastery of the material that is characteristic of the Della Robbia workshop. The backs and sides of reliefs that are often hidden from the viewer— because they are framed, situated in niches, or mortared into a wall or ceiling—contain information that can lead to a deeper understanding of the creative process, perhaps more directly than any other source. During the critical early stages of conservation treatment, which are predominantly activities of observation and examination, conservators may rely on microchemical tests or Workshop Practice Revealed by Two Architectural Reliefs by Andrea Della Robbia