{"title":"伊丽莎白·泽曼·科尔科维奇。伊丽莎白时代的乡村别墅娱乐：印刷、表演和性别。剑桥：剑桥大学出版社，2016年。第256页。","authors":"Wendy L. Wall","doi":"10.12745/ET.20.1.3175","DOIUrl":null,"url":null,"abstract":"This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender .","PeriodicalId":42222,"journal":{"name":"Early Theatre","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2017-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender . Cambridge: Cambridge University Press, 2016. Pp 256.\",\"authors\":\"Wendy L. Wall\",\"doi\":\"10.12745/ET.20.1.3175\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender .\",\"PeriodicalId\":42222,\"journal\":{\"name\":\"Early Theatre\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-07-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Early Theatre\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.12745/ET.20.1.3175\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"THEATER\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Early Theatre","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.12745/ET.20.1.3175","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"THEATER","Score":null,"Total":0}
Elizabeth Zeman Kolkovich. The Elizabethan Country House Entertainment: Print, Performance, and Gender . Cambridge: Cambridge University Press, 2016. Pp 256.
This review considers The Elizabethan Country House Entertainment: Print, Performance, and Gender .
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