现场编码表演实践中的语音和音乐循环

IF 0.2 4区 艺术学 Q2 Arts and Humanities LEONARDO MUSIC JOURNAL Pub Date : 2017-12-01 DOI:10.1162/LMJ_a_01007
David Kim-Boyle
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引用次数: 1

摘要

本文探讨了工作记忆的各种现象是如何被积极利用的,并可以为实时编码性能实践提供有用的见解。作者认为,认知心理学家认为的语音编码过程强调了听觉信息是如何在工作记忆中被保留和回忆的,这可以丰富我们对现场编码表演实践的理解,在现场编码表演中,基于循环的过程通常提供关键的结构单元。作者认为,这种实践通过具有工作记忆效果的实时游戏找到了结构连贯性和美学价值。
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Phonological and Musical Loops in Live Coding Performance Practice
This paper explores how various phenomena of working memory are actively drawn on and can provide useful insights into live coding performance practice. The author argues that the phonological coding processes that cognitive psychologists believe underscore how auditory information is retained and recollected in working memory can enrich our understanding of live coding performance practice, where loop-based processes often provide key structural units. The author suggests that such practice finds structural coherence and aesthetic value through a real-time play with the effects of working memory.
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期刊介绍: Leonardo Music Journal (LMJ), is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and technical issues in contemporary music and the sonic arts. Each thematic issue features artists/writers from around the world, representing a wide range of stylistic viewpoints. Each volume includes the latest offering from the LMJ CD series—an exciting sampling of works chosen by a guest curator and accompanied by notes from the composers and performers. Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription.
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