中世纪教堂的自然光

IF 0.2 2区 历史学 N/A ARCHAEOLOGY Journal of the British Archaeological Association Pub Date : 2023-08-17 DOI:10.1080/00681288.2023.2234762
Giosuè Fabiano
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引用次数: 0

摘要

Thorney修道院和Bromholm修道院等遗址,其中存放着从圣地带回家的文物(第162页)。一些“聚焦物体”在展览中比在书中更有意义——例如,从一个带有狮鹫的建筑碎片中几乎找不到,可能来自V ezelay。由于与纺织品相似,该碎片在展览空间的其他物品中提供了受欢迎的视觉背景,而文本中的联系似乎有些脆弱。也许最好、最能说明问题的“焦点中的物体”文章之一是由波士顿学院的八名学生合作撰写的《摩根图片圣经》。在这里,作者选择强调这个熟悉的对象的长寿,通过本书作为外交礼物的作用,重点关注萨非王朝伊朗和欧洲之间的外交。解释了围绕原文和照明的波斯光泽,并讨论了手稿对萨法维王朝的视觉吸引力与他们自己的图像传统的关系。这本书插图丰富,全页彩色图像丰富。文本和图像布局非常仔细,很少需要翻一页以上才能找到引用的对象——这绝不是一个给定的对象,尤其是有这么多图像的对象。深思熟虑的连接语句贯穿始终,将文章和对象与其他相关主题联系起来。考虑到包含至少横跨三大洲的物体,一张地图或一系列地图将是一个受欢迎的补充。这本目录是圣十字会“将圣地带回家”展览的一个有价值的附件,但它本身就是一本有用且发人深省的书。专家们将欣赏十字军东征对中世纪英格兰的视觉影响;这些短小精悍、通俗易懂的文章也是构成该主题本科生阅读清单主干的优秀候选者。最后,这证明了路斯特努力聚集了一批真正令人钦佩的作家,他们来自职业生涯和教育的各个阶段;最令人印象深刻的是由本科生个人和小组撰写的《焦点对象》,这些文章与专家的贡献一样经过了充分的研究和清晰的书写。
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Natural Light in Medieval Churches
sites like Thorney Abbey and Bromholm Priory, which housed relics brought ‘home’ from the Holy Land (p. 162). Some of the range of ‘Objects in Focus’ made more sense in the exhibition than in the book—little, for example, can be gleaned from an architectural fragment with a griffin, perhaps originating from V ezelay. Chosen because of its resemblance to textiles, the fragment provided welcome visual context among the other objects in the exhibition space, while the connection seems somewhat tenuous in the text. Perhaps one of the best and most illustrative ‘Objects in Focus’ essays is that on the Morgan Picture Bible, collaboratively written by eight students from Boston College. Here, the authors choose to highlight the long life of this familiar object, focusing on diplomacy between Safavid Iran and Europe through the book’s role as a diplomatic gift. The Persian glosses that surround the original text and illuminations are explained, and the visual appeal of the manuscript to the Safavids is discussed in relation to their own image traditions. This volume is lavishly illustrated, with plentiful full-page colour images. The text and images are very carefully laid out, and it is seldom necessary to turn more than one page to locate the object being cited—by no means a given, especially with such numerous images. Thoughtful linking statements occur throughout to connect essays and objects with other related themes. Considering the inclusion of objects spanning at least three continents, a map, or series of maps, to orient readers would have been a welcome addition. This catalogue forms a worthy adjunct to the Bringing the Holy Land Home exhibition at Holy Cross, but holds up on its own as a useful and thought-provoking volume. Specialists will appreciate the focus on the visual impact of the Crusades on medieval England; the short, accessible essays are also excellent candidates to form the backbone of undergraduate reading lists on the topic. Finally, this is a testament to Luyster’s efforts in gathering a truly admirable group of authors from all phases in their careers and education; most impressive are the ‘Objects in Focus’ written by individual and groups of undergraduates, which are as well researched and clearly written as the specialist contributions.
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