重音句:走向短语节奏推进理论

IF 1.6 1区 艺术学 0 MUSIC MUSIC THEORY SPECTRUM Pub Date : 2021-03-17 DOI:10.1093/MTS/MTAA018
Samuel Ng
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引用次数: 3

摘要

几个世纪以来,理论家们一直在争论音乐乐句在规范上是重音开始还是重音结束。二十世纪的最后二十年,开始重音的节奏占了上风;然而,最近关于尾重音短语的研究重新激起了争论。我从两个方面参与了这个讨论。首先,我的目的是通过提请注意经典句子结构中的短语节奏倾向来恢复重音节奏的中心地位。我的分析表明,在18世纪晚期和19世纪早期的器乐中,末尾重音的句子图式在各种动作空间(包括主主题和次主题)中是公认的作曲选择。此外,尾重音句主句的整体作用是由它们与首重音句主句一起产生的类似于声调和形式的大规模进展所证实的。对这些句子主题的认识重新激发了长达一个世纪的争论,加深了我们对乐句节奏作为音乐意义来源的理解。其次,为了实现第一个目标,我发展了一种短语节奏推进理论,用于对短语节奏类型进行分类并绘制它们的轨迹。这一理论填补了目前节奏和韵律的空间表征的空白,这些空间表征侧重于韵律的不和谐和层次,而不考虑短语和韵律的相互作用。
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End-Accented Sentences: Towards a Theory of Phrase-Rhythmic Progression
For centuries, theorists have debated whether musical phrases are normatively beginning-accented or end-accented. The last two decades of the twentieth century gave beginning-accented rhythm the upper hand; yet, recent work on end-accented phrases has reinvigorated the debate. I contribute to this discussion in two ways. First, I aim to rehabilitate a central position of end-accented rhythm by drawing attention to phrase-rhythmic tendencies in classical sentence structure. My analyses show that end-accented sentential schemas are well-established compositional options in various action spaces—including Primary and Secondary Themes—in late eighteenth- and early nineteenth-century instrumental music. Moreover, integral roles of end-accented sentential themes are substantiated by their production—in tandem with their beginning-accented counterparts—of large-scale progressions analogous to tonal and formal ones. Awareness of these sentential themes re-energizes the century-old debate and deepens our understanding of phrase rhythm as a source of musical meaning. Second, in order to achieve the first goal, I develop a theory of phrase-rhythmic progression for categorizing phrase-rhythmic types and mapping their trajectories. This theory fills a gap in current spatial representations of rhythm and meter, which focus on metric dissonances and hierarchies without considerations of phrase–meter interaction.
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来源期刊
CiteScore
2.30
自引率
20.00%
发文量
15
期刊介绍: A leading journal in the field and an official publication of the Society for Music Theory, Music Theory Spectrum features articles on a wide range of topics in music theory and analysis, including aesthetics, critical theory and hermeneutics, history of theory, post-tonal theory, linear analysis, rhythm, music cognition, and the analysis of popular musics. The journal welcomes interdisciplinary articles revealing intersections with topics in other fields such as ethnomusicology, mathematics, musicology, philosophy, psychology, and performance. For further information about Music Theory Spectrum, please visit the Society for Music Theory homepage.
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