{"title":"土著文化与死后摄影","authors":"B. Rangiwai, D. Enari","doi":"10.1080/17514517.2023.2228586","DOIUrl":null,"url":null,"abstract":"Abstract This paper explores the differences between Māori and Samoan approaches to post-mortem photography. This paper will show that Māori consider the notion of post-mortem photography as offensive, while for some Samoans, post-mortem photography is acceptable. This article emerges due to the scarcity of research on post-mortem photography in Indigenous communities. We analyze the underlying beliefs of these communities in relation to post-mortem photography. As two researchers from these communities, we call upon our ancestral and academic knowledge to tell this story.","PeriodicalId":42826,"journal":{"name":"Photography and Culture","volume":"16 1","pages":"51 - 57"},"PeriodicalIF":0.2000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Indigenous Cultures and Post-Mortem Photography\",\"authors\":\"B. Rangiwai, D. Enari\",\"doi\":\"10.1080/17514517.2023.2228586\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper explores the differences between Māori and Samoan approaches to post-mortem photography. This paper will show that Māori consider the notion of post-mortem photography as offensive, while for some Samoans, post-mortem photography is acceptable. This article emerges due to the scarcity of research on post-mortem photography in Indigenous communities. We analyze the underlying beliefs of these communities in relation to post-mortem photography. As two researchers from these communities, we call upon our ancestral and academic knowledge to tell this story.\",\"PeriodicalId\":42826,\"journal\":{\"name\":\"Photography and Culture\",\"volume\":\"16 1\",\"pages\":\"51 - 57\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Photography and Culture\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17514517.2023.2228586\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Photography and Culture","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17514517.2023.2228586","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract This paper explores the differences between Māori and Samoan approaches to post-mortem photography. This paper will show that Māori consider the notion of post-mortem photography as offensive, while for some Samoans, post-mortem photography is acceptable. This article emerges due to the scarcity of research on post-mortem photography in Indigenous communities. We analyze the underlying beliefs of these communities in relation to post-mortem photography. As two researchers from these communities, we call upon our ancestral and academic knowledge to tell this story.