喜剧的终结。19世纪罗马尼亚戏剧和解考古

Adrian Tudurachi
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引用次数: 0

摘要

本文从伦理学的角度分析了罗马尼亚现代文化建构时代喜剧的社会功能。喜剧作为一种文学形式,其无与伦比的突出性和生产力,甚至在这方面超过了小说,突显了其社会作用的重要性。玛莎·努斯鲍姆指出,所有社会都需要“喜剧精神”,才能在新的、不同的、不可接受的或纯粹的其他事物面前控制厌恶。以此为线索,分析了社会分裂、边缘化和蔑视的形式,以及19世纪罗马尼亚戏剧中的和解策略。具体来说,这篇文章详细介绍了喜剧的终结及其在整个世纪的演变。该方法强调了文学机制和传统参与和平建设和社会解决的方式,坚持社会关系形式(友谊、爱情、团结、共同依赖等)与喜剧结尾的文学形式之间的一致性。
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The End of Comedy. For an Archaeology of Reconciliation in the 19th Century Romanian Theatre
The present article analyses the social function of comedy in the age of building the Romanian modern culture, from an ethical perspective. The importance of the social role of comedy is underlined by its unparalleled prominence and productivity as a literary form, even surpassing the novel in this respect. Martha Nussbaum notes that all societies need “the spirit of comedy” in order to manage the disgust in front of what is new, different, unacceptable or simply other. Taking this cue, the analysis follows the topics of social division, the forms of marginalization and disdain, but also the reconciliation strategies featuring in the 19th century Romanian theatre. Specifically, the article details the end of comedy and its evolutions throughout the century. The approach underlines the way in which literary mechanisms and traditions are involved in peace-making and in social resolution, insisting on the consistency between the forms of social relations (friendship, love, solidarity, co-dependency, etc.) and the literary forms at the end of comedy.
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来源期刊
Metacritic Journal for Comparative Studies and Theory
Metacritic Journal for Comparative Studies and Theory Arts and Humanities-Arts and Humanities (all)
CiteScore
0.90
自引率
0.00%
发文量
15
审稿时长
7 weeks
期刊最新文献
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