{"title":"城邦之诗:华莱士·史蒂文斯三十年代诗歌中的政治问题","authors":"Ian Y. H. Tan","doi":"10.1353/arq.2022.0024","DOIUrl":null,"url":null,"abstract":"Abstract:This essay will re-evaluate Stevens’s “apolitical” poetic stance during the decade as political statement based on pragmatic accommodation to the demands of reality on the poetic imagination. For Stevens, the dialectical tension between art and society is crucial in ensuring that the imagination remains alive to the continual formations of political reality which can never be fully ossified by any one ideological doctrine. Stevens ultimately enunciates a fuller vision of openness, for the Stevensian subject can negotiate politics on his own terms without being completely limited by it.","PeriodicalId":42394,"journal":{"name":"Arizona Quarterly","volume":"78 1","pages":"103 - 128"},"PeriodicalIF":0.1000,"publicationDate":"2022-11-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Poetry in (the) place of the Polis: The Question of Politics in Wallace Stevens’s Poems of the Thirties\",\"authors\":\"Ian Y. H. Tan\",\"doi\":\"10.1353/arq.2022.0024\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This essay will re-evaluate Stevens’s “apolitical” poetic stance during the decade as political statement based on pragmatic accommodation to the demands of reality on the poetic imagination. For Stevens, the dialectical tension between art and society is crucial in ensuring that the imagination remains alive to the continual formations of political reality which can never be fully ossified by any one ideological doctrine. Stevens ultimately enunciates a fuller vision of openness, for the Stevensian subject can negotiate politics on his own terms without being completely limited by it.\",\"PeriodicalId\":42394,\"journal\":{\"name\":\"Arizona Quarterly\",\"volume\":\"78 1\",\"pages\":\"103 - 128\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-11-24\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arizona Quarterly\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/arq.2022.0024\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, AMERICAN\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arizona Quarterly","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/arq.2022.0024","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, AMERICAN","Score":null,"Total":0}
Poetry in (the) place of the Polis: The Question of Politics in Wallace Stevens’s Poems of the Thirties
Abstract:This essay will re-evaluate Stevens’s “apolitical” poetic stance during the decade as political statement based on pragmatic accommodation to the demands of reality on the poetic imagination. For Stevens, the dialectical tension between art and society is crucial in ensuring that the imagination remains alive to the continual formations of political reality which can never be fully ossified by any one ideological doctrine. Stevens ultimately enunciates a fuller vision of openness, for the Stevensian subject can negotiate politics on his own terms without being completely limited by it.
期刊介绍:
Arizona Quarterly publishes scholarly essays on American literature, culture, and theory. It is our mission to subject these categories to debate, argument, interpretation, and contestation via critical readings of primary texts. We accept essays that are grounded in textual, formal, cultural, and theoretical examination of texts and situated with respect to current academic conversations whilst extending the boundaries thereof.