成长:文学与理论中童年的非时间性形象

Pub Date : 2023-05-27 DOI:10.3138/jeunesse-2022-0028
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引用次数: 0

摘要

儿童的形象经常建立并依赖于线性的时间概念。本文通过对儿童形象塑造的非线性理论和虚构方法的讨论,回应了目的论发展主义的线性问题。作者讨论了线性发展模型提出的一些问题,并通过反对线性时间的限制,加入了越来越多的儿童研究和早期教育学者的行列。本文通过对迈克尔·恩德(Michael Ende)的《莫莫》(Momo)和查理·麦克西(Charlie Mackesy)的《男孩、鼹鼠、狐狸和马》(The Boy,The Mole,The Fox and The Horse)的探索,将时间和发展的非线性模型概念化,一本挑战年龄分类并邀请非线性材料互动的当代畅销书(即挑战从前到后、从左到右阅读的既定动作)。本文引入并举例说明了“atemporal presence”的概念,以定义Momo名义上的角色运作的永恒当下,并提出了“成长”的概念作为“成长”概念的替代。
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Growing Out: Atemporal Figurations of Childhood in Literature and Theory
Figurations of the child frequently establish and rely upon a linear conception of time. This article is a response to the problematic linearity of teleological developmentalism through a discussion of non-linear theoretical and fictional approaches to the figuration of the child. The author discusses some of the issues that have been raised with linear developmental models and joins a growing chorus of childhood studies and early education scholars by working against the constrictions of linear time. This article conceptualizes non-linear models of time and development, through exploration of Michael Ende’s Momo, a young adult novel that theorizes non-linear time, and Charlie Mackesy’s The Boy, the Mole, the Fox and the Horse, a contemporary best-seller that defies age categorization and invites non-linear material interaction (i.e., defying the determined action of reading from front to back and left to right). This article introduces and exemplifies the concept of “atemporal presence” to define the timeless present moment from which Momo’s titular character operates, and it offers the idea of “growing out” as an alternative to notions of “growing up.” This author illustrates how establishing non-linear conceptions of time and development creates sites for free, non-hierarchical growth.
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