{"title":"数字化无形的体现:音乐的基础设施","authors":"Tarja Rautiainen-Keskustalo","doi":"10.1080/09298215.2021.1899248","DOIUrl":null,"url":null,"abstract":"The paper examines the sonic experiences of the listener in digital environments by using a Bluetooth speaker as an example. It discusses how the everyday use of a speaker highlights human beings’ material and multi-sensory situatedness in digital environments. Based on the analytical approaches concerning embodiment, movement, and infrastructures, the paper aims to develop further the idea of musicking in everyday life contexts. It suggests that in addition to the social importance of music, the material approach to musicking reveals new political and ethical questions, especially those concerning the power of code and planetary sustainability.","PeriodicalId":16553,"journal":{"name":"Journal of New Music Research","volume":"50 1","pages":"147 - 154"},"PeriodicalIF":1.1000,"publicationDate":"2021-03-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/09298215.2021.1899248","citationCount":"3","resultStr":"{\"title\":\"Embodiment through digital intangibility: Infrastructures of musicking\",\"authors\":\"Tarja Rautiainen-Keskustalo\",\"doi\":\"10.1080/09298215.2021.1899248\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The paper examines the sonic experiences of the listener in digital environments by using a Bluetooth speaker as an example. It discusses how the everyday use of a speaker highlights human beings’ material and multi-sensory situatedness in digital environments. Based on the analytical approaches concerning embodiment, movement, and infrastructures, the paper aims to develop further the idea of musicking in everyday life contexts. It suggests that in addition to the social importance of music, the material approach to musicking reveals new political and ethical questions, especially those concerning the power of code and planetary sustainability.\",\"PeriodicalId\":16553,\"journal\":{\"name\":\"Journal of New Music Research\",\"volume\":\"50 1\",\"pages\":\"147 - 154\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2021-03-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/09298215.2021.1899248\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of New Music Research\",\"FirstCategoryId\":\"94\",\"ListUrlMain\":\"https://doi.org/10.1080/09298215.2021.1899248\",\"RegionNum\":4,\"RegionCategory\":\"计算机科学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of New Music Research","FirstCategoryId":"94","ListUrlMain":"https://doi.org/10.1080/09298215.2021.1899248","RegionNum":4,"RegionCategory":"计算机科学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"COMPUTER SCIENCE, INTERDISCIPLINARY APPLICATIONS","Score":null,"Total":0}
Embodiment through digital intangibility: Infrastructures of musicking
The paper examines the sonic experiences of the listener in digital environments by using a Bluetooth speaker as an example. It discusses how the everyday use of a speaker highlights human beings’ material and multi-sensory situatedness in digital environments. Based on the analytical approaches concerning embodiment, movement, and infrastructures, the paper aims to develop further the idea of musicking in everyday life contexts. It suggests that in addition to the social importance of music, the material approach to musicking reveals new political and ethical questions, especially those concerning the power of code and planetary sustainability.
期刊介绍：
The Journal of New Music Research (JNMR) publishes material which increases our understanding of music and musical processes by systematic, scientific and technological means. Research published in the journal is innovative, empirically grounded and often, but not exclusively, uses quantitative methods. Articles are both musically relevant and scientifically rigorous, giving full technical details. No bounds are placed on the music or musical behaviours at issue: popular music, music of diverse cultures and the canon of western classical music are all within the Journal’s scope. Articles deal with theory, analysis, composition, performance, uses of music, instruments and other music technologies. The Journal was founded in 1972 with the original title Interface to reflect its interdisciplinary nature, drawing on musicology (including music theory), computer science, psychology, acoustics, philosophy, and other disciplines.
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