自然与女性气质——论流动土地中的流动概念

IF 0.1 3区 文学 0 LITERATURE, GERMAN, DUTCH, SCANDINAVIAN OXFORD GERMAN STUDIES Pub Date : 2022-07-03 DOI:10.1080/00787191.2022.2116821
Rebecca Wismeg-Kammerlander
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引用次数: 0

摘要

一个据称未受破坏的自然景观是奥地利国家品牌的重要支柱,然而,从这座“Goldener Landschaftsmythos”的外表背后看,大自然在奥地利的自我风格化和文化中扮演着复杂而矛盾的角色:正是这个依赖于其原始性的系统利用并贬低了它。Edelbauer 2019年的小说《大地》(Das flüssige Land)利用了这种紧张关系,并将其与女性气质的本质主义观点进行了对话,拒绝接受女性与自然内在联系和保护自然的期望。女主人公与阿尔卑斯山景观的关系是流动的、矛盾的和矛盾的,当它在关怀和剥削之间摇摆时,联系和蔑视——它从社会生态女权主义的角度提出了一种方法,要求克服关于女性和自然的本质主义主张。
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Nature and femininity in Raphaela Edelbauer’s Das flüssige Land — Fluid concepts in a liquid land
An allegedly unspoilt natural landscape is a crucial backbone of Austria’s national brand and yet, a look behind the façade of this ‘Goldener Landschaftsmythos’, reveals that nature plays a complex and paradoxical role in Austrian self-stylisation and culture: the very system that relies on its pristineness exploits and degrades it. Edelbauer’s 2019 novel Das flüssige Land draws on this tension and brings it into conversation with essentialist views of femininity, rejecting expectations of women as inherently connected with nature and protective of it. The female protagonist’s relationship with the Alpine landscape is fluid, ambivalent, and paradoxical and — as it oscillates between care and exploitation, connection and disdain — it invites an approach from the angle of social ecofeminism that calls for an overcoming of essentialist claims about women and nature.
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来源期刊
OXFORD GERMAN STUDIES
OXFORD GERMAN STUDIES LITERATURE, GERMAN, DUTCH, SCANDINAVIAN-
CiteScore
0.10
自引率
50.00%
发文量
2
期刊介绍: Oxford German Studies is a fully refereed journal, and publishes in English and German, aiming to present contributions from all countries and to represent as wide a range of topics and approaches throughout German studies as can be achieved. The thematic coverage of the journal continues to be based on an inclusive conception of German studies, centred on the study of German literature from the Middle Ages to the present, but extending a warm welcome to interdisciplinary and comparative topics, and to contributions from neighbouring areas such as language study and linguistics, history, philosophy, sociology, music, and art history. The editors are literary scholars, but seek advice from specialists in other areas as appropriate.
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