音乐与外交:雅各布·海因里希·弗莱明元帅的通信和其他记录,1700-1720。第二部分:弗里德里希·奥古斯特和玛丽亚·约瑟夫在维也纳的婚礼(1719年)*

IF 0.3 0 MUSIC Musicology Australia Pub Date : 2020-01-02 DOI:10.1080/08145857.2020.1820181
Szymon Paczkowski
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引用次数: 0

摘要

1718年9月,萨克森元帅兼萨克森枢密院首任大臣雅各布·海因里希·冯·弗莱明来到维也纳,完成了奥地利、萨克森和波兰之间的政治谈判,这些谈判将促成韦廷斯和哈布斯堡王朝之间的王朝协议。1719年8月20日,弗里德里希·奥古斯特(波兰国王、萨克森选帝侯奥古斯特二世之子)和玛丽亚·约瑟芬(皇帝约瑟夫一世的长女,1711年去世)在维也纳举行了婚礼,体现了这一联盟。弗莱明在维也纳度过的这段时间不仅是为了进行紧张的政治谈判、秘密会议和重要的公共活动;他还积极参与城市的社会生活。他在维也纳贵族的沙龙里参加舞会、宴会、歌剧表演和其他娱乐活动,在他的住所里也同样如此。他从萨克森州带来了自己的私人音乐《卡佩尔》,伴随着在他维也纳总部举行的大多数社交活动。本文以弗莱明的维也纳日记和当时的其他文献为基础,通过弗莱明的活动和通信,代表了对音乐和外交进行更广泛研究的第二部分,也是最后一部分。它再现了奥地利首都萨克森元帅周围的音乐声景,展示了弗莱明如何将音乐作为建立信任关系(政治和社会关系)的工具,并详细描述了音乐家在实现弗莱明外交目标中所扮演的角色。档案文件被用来重建围绕弗里德里希·奥古斯特和玛丽亚·约瑟芬维也纳婚礼的事件的迄今未知的音乐方面,并提供有关在维也纳举行的此类婚礼上表演的曲目的指示。
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Music and Diplomacy: The Correspondence of Marshal Jacob Heinrich Flemming and Other Records, 1700–1720. Part II: The Wedding Ceremony of Friedrich August and Maria Josepha in Vienna (1719)*
In September 1718, Jacob Heinrich von Flemming, the Saxon Field Marshal and the first minister of the Saxon Privy Council, came to Vienna to complete the political negotiations between Austria, Saxony, and Poland that were to lead, inter alia, to the dynastic pact between the Wettins and the Habsburgs. This alliance was embodied in the marriage of Friedrich August (son of August II, king of Poland and elector of Saxony) and Maria Josepha (the eldest daughter of the emperor Joseph I, who died in 1711), which took place in Vienna on 20 August 1719. Flemming spent this time in Vienna not only for the purpose of intense political negotiations, secret meetings, and important public events; he was also actively involved in the social life of the city. He participated in balls, feasts, opera performances, and other entertainments in the salons of the Viennese aristocracy, and he reciprocated the same in his residence. He brought his own private music Capelle from Saxony, which accompanied most social events taking place at his Viennese headquarters. Based on Flemming’s Viennese diaries and other documentation from that time, this article represents the second and final part of a broader study on music and diplomacy through the lens of Flemming’s activities and correspondence. It recreates the musical soundscape surrounding the Saxon marshal in the Austrian capital, showing how Flemming used music as a tool to build trusting relationships (both political and social), and detailing the role the musicians played in fulfilling Flemming’s diplomatic objectives. Archival documents are used to reconstruct hitherto unknown musical aspects of the events surrounding the Vienna wedding of Friedrich August and Maria Josepha, and to provide indications about repertoire performed during Viennese marriage ceremonies of such rank.
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