{"title":"Día de Muertos和Frida Kahlo的接受及其在英国的转世（2015-2020）：文化退化还是复兴的问题（再次！）？","authors":"J. Lavery","doi":"10.1080/24741604.2021.1890432","DOIUrl":null,"url":null,"abstract":"Abstract Día de Muertos, its (mis)appropriation and ‘halloweenization’, is an underexplored area in the context of recent (non-)British cultural production examples and the reception and consumption of this phenomenon in the UK (2015–2020). Appadurian mediascapes (Coco [2017], [online] media, Strictly Come Dancing [2004–]) and retailers reinforce halloweenized understandings of this Mexican practice, whilst awareness of Día is propelled by local community events. The 2018 Frida Kahlo Victoria and Albert Museum’s exhibition conflates Día with the similarly deterritorialized (García Canclini), halloweenized artist. The co-optation of Kahlo/Día as globalized reincarnations provoke opposing responses, from appropriation as either denigrative or culturally/economically beneficial.","PeriodicalId":37212,"journal":{"name":"Bulletin of Spanish Visual Studies","volume":"5 1","pages":"135 - 167"},"PeriodicalIF":0.0000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/24741604.2021.1890432","citationCount":"0","resultStr":"{\"title\":\"The Reception of Día de Muertos and Frida Kahlo and Their Reincarnations in the United Kingdom (2015–2020): A Question of Cultural Degeneration or Rejuvenation (Again!)?\",\"authors\":\"J. Lavery\",\"doi\":\"10.1080/24741604.2021.1890432\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Día de Muertos, its (mis)appropriation and ‘halloweenization’, is an underexplored area in the context of recent (non-)British cultural production examples and the reception and consumption of this phenomenon in the UK (2015–2020). Appadurian mediascapes (Coco [2017], [online] media, Strictly Come Dancing [2004–]) and retailers reinforce halloweenized understandings of this Mexican practice, whilst awareness of Día is propelled by local community events. The 2018 Frida Kahlo Victoria and Albert Museum’s exhibition conflates Día with the similarly deterritorialized (García Canclini), halloweenized artist. The co-optation of Kahlo/Día as globalized reincarnations provoke opposing responses, from appropriation as either denigrative or culturally/economically beneficial.\",\"PeriodicalId\":37212,\"journal\":{\"name\":\"Bulletin of Spanish Visual Studies\",\"volume\":\"5 1\",\"pages\":\"135 - 167\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/24741604.2021.1890432\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bulletin of Spanish Visual Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/24741604.2021.1890432\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bulletin of Spanish Visual Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/24741604.2021.1890432","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
摘要Día de Muertos，它的(错误)占用和“万圣节化”，是最近(非)英国文化生产实例以及英国(2015-2020)对这一现象的接受和消费的背景下一个未被充分探索的领域。阿帕杜里亚媒体(Coco[2017]，[在线]媒体，Strictly Come Dancing[2004 -])和零售商加强了对这种墨西哥习俗的万圣节理解，而Día的意识则受到当地社区活动的推动。2018年弗里达·卡罗(Frida Kahlo)维多利亚和阿尔伯特博物馆(Victoria and Albert Museum)的展览将Día与同样去属地化(García Canclini)的万圣节艺术家混为一谈。Kahlo/Día作为全球化转世的合作引发了反对的反应，从诋毁或文化/经济上有益的挪用。
The Reception of Día de Muertos and Frida Kahlo and Their Reincarnations in the United Kingdom (2015–2020): A Question of Cultural Degeneration or Rejuvenation (Again!)?
Abstract Día de Muertos, its (mis)appropriation and ‘halloweenization’, is an underexplored area in the context of recent (non-)British cultural production examples and the reception and consumption of this phenomenon in the UK (2015–2020). Appadurian mediascapes (Coco [2017], [online] media, Strictly Come Dancing [2004–]) and retailers reinforce halloweenized understandings of this Mexican practice, whilst awareness of Día is propelled by local community events. The 2018 Frida Kahlo Victoria and Albert Museum’s exhibition conflates Día with the similarly deterritorialized (García Canclini), halloweenized artist. The co-optation of Kahlo/Día as globalized reincarnations provoke opposing responses, from appropriation as either denigrative or culturally/economically beneficial.
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