{"title":"心理治疗是不确定的艺术","authors":"P. Bromberg","doi":"10.1080/00107530.2022.2145975","DOIUrl":null,"url":null,"abstract":"This article, by Philip M. Bromberg, is a gem published posthumously as part of this special edition. The origins are worth noting. A student from the Eating Disorders, Compulsions, and Addictions Service (EDCAS) program at the William Alanson White Institute asked me to invite Philip to consider giving a keynote address at the School of Visual Arts (SVA) in New York City. His first response was—as now you may understand—a typical Bromberg response: It went (something like... . rather... . exactly like this,) “No, No, No!...what could I possibly say to students, nonetheless art therapists?” I encouraged him to speak with the EDCAS student, Valerie Sereno, LCAT, and faculty member in the graduate art therapy department at the School of Visual Arts, who was able to deftly convince him. Valerie also provided us the photo with Philip in front of SVA, to which he said—with a big grin—he never thought he’d see his name on a theater marquee. He was truly delighted. What you see below, was originally presented on September 12, 2014, as the keynote address for SVA’s annual conference of the MPS (Master of Professional Studies) Art Therapy Department. Philip gave a copy to Velleda Ceccoli (this issue), as they shared interest in the crossover of psychoanalysis and art. It feels right to publish it now. The paper is deliberately left in its spoken form (with the addition of footnotes and references), to ensure a felt experience of Philip as you read it. This includes his use of CAPS and italicized words, etc. Many of you would agree, I’m sure, that Philip simply would have had it no other way. Jean Petrucelli, Ph.D.","PeriodicalId":46058,"journal":{"name":"Contemporary Psychoanalysis","volume":"58 1","pages":"176 - 201"},"PeriodicalIF":0.5000,"publicationDate":"2022-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Psychotherapy as the Art of Uncertainty\",\"authors\":\"P. Bromberg\",\"doi\":\"10.1080/00107530.2022.2145975\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article, by Philip M. Bromberg, is a gem published posthumously as part of this special edition. The origins are worth noting. A student from the Eating Disorders, Compulsions, and Addictions Service (EDCAS) program at the William Alanson White Institute asked me to invite Philip to consider giving a keynote address at the School of Visual Arts (SVA) in New York City. His first response was—as now you may understand—a typical Bromberg response: It went (something like... . rather... . exactly like this,) “No, No, No!...what could I possibly say to students, nonetheless art therapists?” I encouraged him to speak with the EDCAS student, Valerie Sereno, LCAT, and faculty member in the graduate art therapy department at the School of Visual Arts, who was able to deftly convince him. Valerie also provided us the photo with Philip in front of SVA, to which he said—with a big grin—he never thought he’d see his name on a theater marquee. He was truly delighted. What you see below, was originally presented on September 12, 2014, as the keynote address for SVA’s annual conference of the MPS (Master of Professional Studies) Art Therapy Department. Philip gave a copy to Velleda Ceccoli (this issue), as they shared interest in the crossover of psychoanalysis and art. It feels right to publish it now. The paper is deliberately left in its spoken form (with the addition of footnotes and references), to ensure a felt experience of Philip as you read it. This includes his use of CAPS and italicized words, etc. Many of you would agree, I’m sure, that Philip simply would have had it no other way. Jean Petrucelli, Ph.D.\",\"PeriodicalId\":46058,\"journal\":{\"name\":\"Contemporary Psychoanalysis\",\"volume\":\"58 1\",\"pages\":\"176 - 201\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2022-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Contemporary Psychoanalysis\",\"FirstCategoryId\":\"102\",\"ListUrlMain\":\"https://doi.org/10.1080/00107530.2022.2145975\",\"RegionNum\":4,\"RegionCategory\":\"心理学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"PSYCHIATRY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Contemporary Psychoanalysis","FirstCategoryId":"102","ListUrlMain":"https://doi.org/10.1080/00107530.2022.2145975","RegionNum":4,"RegionCategory":"心理学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"PSYCHIATRY","Score":null,"Total":0}
引用次数: 0
摘要
这篇文章由菲利普·m·布朗伯格(Philip M. Bromberg)撰写,是在他死后作为特别版的一部分发表的一颗宝石。其起源值得注意。威廉·阿伦森·怀特研究所饮食失调、强迫和成瘾服务(EDCAS)项目的一名学生让我邀请菲利普考虑在纽约市视觉艺术学院(SVA)发表主题演讲。他的第一反应——现在你可能明白了——是典型的布朗伯格式的反应:类似... .而……就像这样)“不,不,不!我能对学生们说些什么呢?他们虽然是艺术治疗师。”我鼓励他和EDCAS的学生瓦莱丽·塞里诺(Valerie Sereno)谈谈,她是LCAT,也是视觉艺术学院研究生艺术治疗系的教员,她能熟练地说服他。瓦莱丽还向我们提供了菲利普在SVA门前的照片,菲利普笑着说,他从没想过自己的名字会出现在剧院的大帐篷上。他真的很高兴。下面你看到的,最初是在2014年9月12日,作为SVA MPS(专业研究硕士)艺术治疗系年度会议的主题演讲。菲利普给了韦莱达·切科利一份(这一期),因为他们对精神分析和艺术的交叉有共同的兴趣。我觉得现在发表是对的。这篇文章故意保留了口头形式(加上脚注和参考文献),以确保你在阅读时能感受到菲利普的感受。这包括他使用大写字母和斜体字等。我相信,你们很多人都会同意,菲利普没有别的办法。Jean Petrucelli博士
This article, by Philip M. Bromberg, is a gem published posthumously as part of this special edition. The origins are worth noting. A student from the Eating Disorders, Compulsions, and Addictions Service (EDCAS) program at the William Alanson White Institute asked me to invite Philip to consider giving a keynote address at the School of Visual Arts (SVA) in New York City. His first response was—as now you may understand—a typical Bromberg response: It went (something like... . rather... . exactly like this,) “No, No, No!...what could I possibly say to students, nonetheless art therapists?” I encouraged him to speak with the EDCAS student, Valerie Sereno, LCAT, and faculty member in the graduate art therapy department at the School of Visual Arts, who was able to deftly convince him. Valerie also provided us the photo with Philip in front of SVA, to which he said—with a big grin—he never thought he’d see his name on a theater marquee. He was truly delighted. What you see below, was originally presented on September 12, 2014, as the keynote address for SVA’s annual conference of the MPS (Master of Professional Studies) Art Therapy Department. Philip gave a copy to Velleda Ceccoli (this issue), as they shared interest in the crossover of psychoanalysis and art. It feels right to publish it now. The paper is deliberately left in its spoken form (with the addition of footnotes and references), to ensure a felt experience of Philip as you read it. This includes his use of CAPS and italicized words, etc. Many of you would agree, I’m sure, that Philip simply would have had it no other way. Jean Petrucelli, Ph.D.