陈震:《建构中的跨文化对话》

IF 0.3 3区 艺术学 0 ART Third Text Pub Date : 2022-01-02 DOI:10.1080/09528822.2022.2027668
Laia Manonelles Moner
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引用次数: 0

摘要

摘要陈震(1955年上海-2000年巴黎)1986年移居法国。他的作品涉及“文化无家可归”的概念,并超越了身体和精神之间的界限。这种在不同文化之间流动的想法与陈震创造的“跨经验”一词直接相关,“跨经验是指在移民建立新的文化联系时,考虑移民经历中产生的情感和经历的一种新方式。他把艺术作为一种文化抵抗的形式,也就是说,一种引发辩论和批判性思维的工具。本文探讨了陈在西班牙的首次展览《在中间》(2014年-2015年)的展览话语及其对媒体的影响。它考察了艺术家的接受,并借鉴跨文化主义的概念来分析后东方主义的陈词滥调。
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Chen Zhen, Transcultural Dialogues under Construction
Abstract Chen Zhen (1955 Shanghai−2000 Paris) emigrated to France in 1986. His work engages with the notion of ‘cultural homelessness’ and transcends the boundaries between the physical and the psychic. This idea of ⁣⁣being in movement between different cultures links directly with the term ‘Transexperience’, coined by Chen Zhen, which refers to a new way of considering the emotions and experiences that emerge from the experience of the immigrant as he/she makes new cultural connections. He uses art as a form of cultural resistance, that is, an instrument to generate debate and critical thinking. This article explores the exhibition discourse of his first show in Spain Chen Zhen: In-Between (2014−2015), and its impact on the media. It examines the artist reception and draws on the notion of transculturalism to analyse recurrent post-Orientalist clichés.
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来源期刊
Third Text
Third Text ART-
CiteScore
0.40
自引率
0.00%
发文量
39
期刊介绍: Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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