做纪录片的数字化转型:承诺纪录片与共同创作网络的编织

Anna Wiehl
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引用次数: 0

摘要

如果最近的过去和社会暴行被禁忌所掩盖,那会有什么利害关系?如何打破媒体制作的既定模式?古代社会文化基础设施如何与数字纪录片相结合,推动提高声音、实现社会和政治变革的运动?以《奎普项目》(2015)为试金石,我们讨论了纪录片跨媒体配置的潜力,使秘鲁迄今为止沉默的一群人能够在网上合作讲述他们的故事,并促进当地的正义行动。将Cizek的干预主义媒体制作概念、Daniel的语境提供概念、Aston对“既定互动”的考虑以及共同创作的想法结合在一起,这一贡献为更好地理解纪录片中新兴的数字突变及其转型潜力提供了一些命题,重新审视集体智慧和影响力的范式,以及加文塔幂立方体模型的修改版本。
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Digital transformation of doing documentary: Committed documentary and the knitting of networks of co-creation
What is at stake if the recent past and social atrocities are hidden by taboos? How can one break up established patterns of media making? How can ancient sociocultural infrastructures in combination with digital documentary promote campaigns to raise one’s voice and achieve social and political change? Taking The Quipu Project (2015) as a test-stone, we discuss the potential of documentary transmedia configurations to allow a hitherto silenced group of people in Peru to collaboratively tell their stories on-line and to promote action taking for justice on the ground. Bringing together Cizek’s notion of interventionist media making, Daniel’s concept of context-provision, Aston’s considerations on ‘emplaced interaction’ and the idea of co-creation, this contribution offers some propositions for a better understanding of emerging digital mutations in doing documentary and their potential for transformation, revisiting paradigms of collective wisdom and impact as well as a modified version of Gaventa’s power cube model.
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来源期刊
CiteScore
1.20
自引率
20.00%
发文量
14
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