{"title":"享受Sara-jevo","authors":"Jasmina Gavrankapetanović-Redžić","doi":"10.1080/09528822.2022.2045148","DOIUrl":null,"url":null,"abstract":"Abstract: The paper argues that the narrative of the independent Republic of Bosnia and Herzegovina and of its capital city Sarajevo under siege (1992-1995) was built on the trope of Sarajevo’s European, Western-oriented, cosmopolitan cultural identity, based on the image initially nurtured by Socialist Yugoslavia. In the new context of the implosion of the Socialist Federal Republic of Yugoslavia (1945 -1991) the siege of Sarajevo and the war in one of the Yugoslav republics, Bosnia and Herzegovina, Yugoslav socialism was replaced by the multi-ethnic and cosmopolitan character of the young Republic of Bosnia and Herzegovina. I argue that the image of Sarajevo during the siege, as a by-product of foreign attention to the plight of the country and its citizens, was built on the pre-existing premises that promoted Socialist Yugoslavia as Western oriented and therefore progressive, in contrast to other communist countries beyond the Iron Curtain.","PeriodicalId":45739,"journal":{"name":"Third Text","volume":"36 1","pages":"85 - 106"},"PeriodicalIF":0.3000,"publicationDate":"2022-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Enjoy Sara-jevo\",\"authors\":\"Jasmina Gavrankapetanović-Redžić\",\"doi\":\"10.1080/09528822.2022.2045148\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract: The paper argues that the narrative of the independent Republic of Bosnia and Herzegovina and of its capital city Sarajevo under siege (1992-1995) was built on the trope of Sarajevo’s European, Western-oriented, cosmopolitan cultural identity, based on the image initially nurtured by Socialist Yugoslavia. In the new context of the implosion of the Socialist Federal Republic of Yugoslavia (1945 -1991) the siege of Sarajevo and the war in one of the Yugoslav republics, Bosnia and Herzegovina, Yugoslav socialism was replaced by the multi-ethnic and cosmopolitan character of the young Republic of Bosnia and Herzegovina. I argue that the image of Sarajevo during the siege, as a by-product of foreign attention to the plight of the country and its citizens, was built on the pre-existing premises that promoted Socialist Yugoslavia as Western oriented and therefore progressive, in contrast to other communist countries beyond the Iron Curtain.\",\"PeriodicalId\":45739,\"journal\":{\"name\":\"Third Text\",\"volume\":\"36 1\",\"pages\":\"85 - 106\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Third Text\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/09528822.2022.2045148\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Third Text","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/09528822.2022.2045148","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract: The paper argues that the narrative of the independent Republic of Bosnia and Herzegovina and of its capital city Sarajevo under siege (1992-1995) was built on the trope of Sarajevo’s European, Western-oriented, cosmopolitan cultural identity, based on the image initially nurtured by Socialist Yugoslavia. In the new context of the implosion of the Socialist Federal Republic of Yugoslavia (1945 -1991) the siege of Sarajevo and the war in one of the Yugoslav republics, Bosnia and Herzegovina, Yugoslav socialism was replaced by the multi-ethnic and cosmopolitan character of the young Republic of Bosnia and Herzegovina. I argue that the image of Sarajevo during the siege, as a by-product of foreign attention to the plight of the country and its citizens, was built on the pre-existing premises that promoted Socialist Yugoslavia as Western oriented and therefore progressive, in contrast to other communist countries beyond the Iron Curtain.
期刊介绍：
Third Text is an international scholarly journal dedicated to providing critical perspectives on art and visual culture. The journal examines the theoretical and historical ground by which the West legitimises its position as the ultimate arbiter of what is significant within this field. Established in 1987, the journal provides a forum for the discussion and (re)appraisal of theory and practice of art, art history and criticism, and the work of artists hitherto marginalised through racial, gender, religious and cultural differences. Dealing with diversity of art practices - visual arts, sculpture, installation, performance, photography, video and film.
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