{"title":"“我的走路就是我的舞蹈”:安妮·特蕾莎·德·基尔斯梅克作品中舞蹈与音乐的关系","authors":"Jonas Rutgeerts","doi":"10.1080/01472526.2022.2108278","DOIUrl":null,"url":null,"abstract":"Abstract Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses walking to inscribe the bodies of the dancers into the music.","PeriodicalId":42141,"journal":{"name":"DANCE CHRONICLE","volume":"45 1","pages":"229 - 249"},"PeriodicalIF":0.1000,"publicationDate":"2022-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work\",\"authors\":\"Jonas Rutgeerts\",\"doi\":\"10.1080/01472526.2022.2108278\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses walking to inscribe the bodies of the dancers into the music.\",\"PeriodicalId\":42141,\"journal\":{\"name\":\"DANCE CHRONICLE\",\"volume\":\"45 1\",\"pages\":\"229 - 249\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DANCE CHRONICLE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01472526.2022.2108278\",\"RegionNum\":3,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"DANCE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DANCE CHRONICLE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01472526.2022.2108278","RegionNum":3,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"DANCE","Score":null,"Total":0}
引用次数: 0
摘要
摘要在她的整个职业生涯中,比利时编舞家Anne Teresa De Keersmaeker创造了不同的技巧来与音乐作品建立亲密关系,并利用这些作品来推动她的编舞作品的发展。我认为步行可以被定义为德·克尔斯梅克晚期作品中使用的主要舞蹈设备之一。在分析En Atendant(2010)和Cesena(2011)时,我探讨了De Keersmaeker如何利用步行将舞者的身体刻进音乐中。
“My Walking is My Dancing”: The Relationship between Dance and Music in Anne Teresa De Keersmaeker’s Work
Abstract Throughout her career the Belgian choreographer Anne Teresa De Keersmaeker has created different techniques to engage in an intimate relationship with musical compositions, using these compositions to drive the development of her choreographic oeuvre. I argue that walking can be defined as one of the main choreographic devices used in De Keersmaeker’s late works. In analyzing En Atendant (2010) and Cesena (2011), I explore how De Keersmaeker uses walking to inscribe the bodies of the dancers into the music.
期刊介绍:
For dance scholars, professors, practitioners, and aficionados, Dance Chronicle is indispensable for keeping up with the rapidly changing field of dance studies. Dance Chronicle publishes research on a wide variety of Western and non-Western forms, including classical, avant-garde, and popular genres, often in connection with the related arts: music, literature, visual arts, theatre, and film. Our purview encompasses research rooted in humanities-based paradigms: historical, theoretical, aesthetic, ethnographic, and multi-modal inquiries into dance as art and/or cultural practice. Offering the best from both established and emerging dance scholars, Dance Chronicle is an ideal resource for those who love dance, past and present. Recently, Dance Chronicle has featured special issues on visual arts and dance, literature and dance, music and dance, dance criticism, preserving dance as a living legacy, dancing identity in diaspora, choreographers at the cutting edge, Martha Graham, women choreographers in ballet, and ballet in a global world.