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引用次数: 0
摘要
卷,从不同的方法仔细检查对象,看看我们是如何通过它们来容纳、获得所有权和扩展知识的。最后两章是南美洲如何对物体进行分类的案例研究。Olaya Sanfuentes使用特鲁希略主教Baltasar Jaime Martínez Compañón在18世纪末建立的索引,对选择、分类、描述、包装、运输和展览过程进行了更广泛的反思,认识到尽管当时有理性精神,但每一步都涉及主观性。这些物品是根据国王卡洛斯三世的命令被送往西班牙的。尽管西班牙藏品中可以发现一些文物,正如本章所示的图像所证明的那样,这些文物并不是分析的重点,而是构建和制作这些藏品的过程,以及展示的意义和方式如何随着时间的推移而变化。玛丽亚·保拉·罗德里格斯·普拉达(María Paola Rodríguez Prada)通过哥伦比亚国家博物馆(Museo Nacional de Colombia)的奠基时期,从殖民时代走向共和政体,探讨了物质文化的科学特征。该博物馆被宣传为政府通过公共教学和教育机构促进文明和进步的兴趣的一部分。Rodríguez Prada的分析基于印刷资料、标本收藏和展示物质文化的水彩画。此外,她追踪了法国科学家在参与哥伦比亚促进科学发展时带回法国的一些样本。这些会议记录的许多撰稿人已经就类似或相关主题发表了文章。这本散文集在一卷中提供了对西班牙裔美国人物质研究的综合视野,将作为进一步调查这些以及与物质文化相关的相关主题的参考。这是一个肯定会产生更多结果的研究领域。
Pandemic in Potosí: fear, loathing, and public piety in a colonial mining metropolis
volume, where objects are scrutinized from different approaches to see how we have accommodated, taken ownership, and extended knowledge through them. The last two chapters are a case study of how objects have been classified in South America. Olaya Sanfuentes uses the index established by the bishop of Trujillo, Baltasar Jaime Martínez Compañón, at the end of the eighteenth century, to initiate a broader reflection on the selection, classification, description, packing, transport, and exhibition process, recognizing that despite the rational spirit of the time, subjectivity was involved in every step. These objects were sent to Spain in response to King Carlos III’s orders. Although some artifacts can be identified in Spanish collections, as evidenced by the images illustrating the chapter, the objects are not the focus of the analysis, but the process involved in building and making this collection and how the meaning and ways of displaying have changed through time. María Paola Rodríguez Prada approaches the scientific character of material culture through the foundational period of the Museo Nacional de Colombia, moving away from the colonial era into the republican regime. The museum was advertised as part of the government’s interest in promoting civilization and progress through public instruction and educational institutions. Rodríguez Prada’s analysis is based on printed sources, collections of specimens, and watercolours illustrating the material culture. In addition, she traced some samples that French scientists took back to France when they participated in Colombia’s promotion of scientific development. Many of the contributing authors to these conference proceedings had already published on similar or related topics. This collection of essays offers a combined vision of material studies of Spanish America in a single volume that will serve as a reference for further investigations on these and connected topics related to material culture. It is a field of study that will certainly yield many more results.
期刊介绍:
Colonial Latin American Review (CLAR) is a unique interdisciplinary journal devoted to the study of the colonial period in Latin America. The journal was created in 1992, in response to the growing scholarly interest in colonial themes related to the Quincentenary. CLAR offers a critical forum where scholars can exchange ideas, revise traditional areas of inquiry and chart new directions of research. With the conviction that this dialogue will enrich the emerging field of Latin American colonial studies, CLAR offers a variety of scholarly approaches and formats, including articles, debates, review-essays and book reviews.