伯纳特·克莱恩:色彩设计

IF 0.2 4区社会学 0 HUMANITIES, MULTIDISCIPLINARY Dress-The Journal of the Costume Society of America Pub Date : 2023-07-03 DOI:10.1080/03612112.2023.2222998

Jacqueline Field

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引用次数: 0

摘要

克莱因的绘画展示了他以自然为灵感的绘画和他的纺织品设计之间的关系（见图2）。Branding&Identity展示了他使用平面设计和品牌来宣传自己的作品；这一点在画廊教学文本的设计中巧妙地反映在克莱因喜欢的字体Helvetica的使用上。然后，Styling Interiors扩展了克莱因为图3“Maple”所做的室内设计工作，Bernat Klein，约1961年，用太空染色的拉丝马海毛、羊毛和聚酯纱线制成的粗花呢。图片版权所有©苏格兰国家博物馆。审查159

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Bernat Klein: Design in Colour

painting by Klein, showed the relationship between his nature-inspired paintings and his textile designs (see Figure 2). Branding & Identity showed his use of graphic design and branding for the promotion of his work; this was cleverly reflected in the use of Klein’s preferred font—Helvetica—in the design of the gallery’s didactic text. Then, Styling Interiors expanded on the interior design work Klein did for the FIGURE 3 “Maple,” Bernat Klein, ca. 1961, tweed of space-dyed brushed mohair, wool, and polyester yarns. Image © National Museums Scotland. Review 159

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