我国文化遗产传承下的创意舞蹈及其转型研究

IF 0.4 3区 哲学 0 PHILOSOPHY European Journal for Philosophy of Religion Pub Date : 2022-09-10 DOI:10.24204/ejpr.2021.3846
Mao Qian
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引用次数: 0

摘要

这节课让我们了解了我们的文化历史和富有想象力的舞蹈的价值。为了衡量学生对文化遗产的理解程度,我们使用了5个陈述。交际舞是我们社会习俗的重要组成部分,它将我们社会传统的元素代代相传。因此,它极大地增强了我们的社会个性,并从根本上影响了我们一般人群中的“社会剧变”。我们的生活方式正在不断发生变化。虽然一些社会观点失去了,但其他观点却在挣扎和坚持,或者被修改和改变以适应新的条件。本研究考察了音乐/动作教育和创造性舞蹈的发展与动作的“第二次存在”的关系,以及这种发展如何真正保持社交舞蹈“第一次存在”的社会品质。舞蹈的“介绍性存在”被定义为一种通过体验式学习从一个年龄获得舞蹈并将其传递给下一个年龄的方法。由于当前的社会、政治和经济变化,希腊社交舞蹈已经转变为真正吸引人的旅游商业角度,同时也通过以教师为中心的教育实践改变了其信息性质。由于这种发展,交际舞现在被称为交际舞的“后续存在”。“对应三角形”由运动系统的三个组成部分组成——艺术家、舞蹈和观众——支持并解释了社交舞蹈如何从“第一次存在”转变为“第二次存在”。通过音乐运动教育和创造性舞蹈技术来教授希腊社会运动,我们的社会遗产中有很大一部分可以保存下来并传给后代。这种舞蹈代表了文化历史,是所有国家的重要组成部分,反映了当地的风俗和文化。尽管人们早已了解舞蹈的重要性,但关于如何保护舞蹈文化的研究却很少。为了解决这些问题,确保舞蹈文化遗产的长期保存和舞蹈能力的代代相传,本研究旨在研究和确定发展中国家文化舞者面临的挑战。这样做是为了帮助不断传播知识。从一代传到下一代。根据我们的研究,新兴国家的工艺美术文化遗产受到威胁有几个重要的原因。
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Study of Creative Dance and Its Transformation Under Cultural Heritagetion of Our Cultural Heritage
This lesson teaches us about our cultural past and the value of imaginative dance. To gauge the pupils' degree of understanding of cultural heritage, we used 5 statements. The social dance, an essential component of our society's customs, transmits elements of our social tradition from one generation to the next. As a result, it commits significantly to enhancing our social personality and fundamentally affects the "social upheaval" in our general population. Constant change is occurring in our way of life. While some societal perspectives are lost, others struggle and persist or are modified and altered to fit new conditions. This investigation examines the development of music/movement education and creative dance in relation to the "second presence" of movement and how this development may really preserve the social qualities of social dance's "first existence." The "introductory presence" of dance is defined as a method of obtaining and transmitting dance from one age to the next through experiential learning. Greek social dancing has changed to take on a genuinely engaging and tourist commercial angle while also changing its informative nature through teacher-centered educational practices due to current social, political, and economical changes. Social dance is now referred to as "the subsequent presence" of social dance due to this development. The "correspondence triangle," which consists of the three components of the moving system—the artist, the dance, and the spectator—supports and explains how social dance changes from its "first existence" to its "second presence." A substantial portion of our social heritage can be preserved and passed on to future generations using the Music Movement Education and Creative Dance technique to teach Greek social motions. The dance represents cultural history and is an essential component of all nations, reflecting local customs and culture. Even though dance's significance has long been understood, little research has been done on how to preserve dance culture. To solve these concerns and ensure the long-term preservation of the cultural heritage of dance and the transmission of dance abilities from generation to generation, this research aims to study and identify the challenges cultural dancers face in developing nations. It was done to aid in the ongoing dissemination of knowledge. from one generation to the next. According to our research, the cultural heritage of arts and crafts in emerging countries is threatened for several significant reasons.  
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来源期刊
CiteScore
0.80
自引率
20.00%
发文量
53
期刊介绍: European Journal for Philosophy of Religion (EJPR) is a peer-reviewed international journal devoted to the problems of the philosophy of religion. EJPR has been founded with the aim of fostering the development of philosophy of religion in Europe and elsewhere.
期刊最新文献
THE YAZIDIS AS IRAQI MINORITIES, MARGINALIZATION AND THE WESTERN SECULARISM THE REPATRIATION OF GILGAMESH DREAM TABLET: REBUILDING THE IRAQI RELIGIOUS LEGACY RESEARCH ON THE APPLICATION OF TRADITIONAL CHINESE PHILOSOPHICAL THINKING IN FILM AND TELEVISION MUSIC COMPOSITION THEORETICAL PERSPECTIVES OF THE VIEW OF HUMAN IN THE CONFUCIAN PHILOSOPHY IN PRE QIN DYNASTY THE APPLICATION OF RELIGIOUS ELEMENTS IN WESTERN CULTURE IN THE CREATION OF DANCE DRAMA
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