不同语言的现场音乐消费:一种定量方法

IF 0.7 Q4 BUSINESS Arts and the Market Pub Date : 2020-09-15 DOI:10.1108/AAM-04-2020-0007
Michael Spanu, N. Sommet, Jean-Marie Seca
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引用次数: 0

摘要

目的消费以不同语言表演的音乐代表了当代文化体验的一个重要方面。这种现象质疑不同的语言如何在特定的国家背景下调节音乐消费。在这篇论文中,作者调查了法国现场音乐消费的情况。设计/方法/方法。作者调查了428人,他们在法国巴黎周围的46个地点看到159位艺术家用法语或英语表演。作者测试了音乐会语言对音乐消费三个维度的影响:齐声演唱、歌词评价和舞蹈。多层次分析表明,英语与舞蹈呈正相关,而法语与歌词评价呈正相关。作者没有发现任何证据表明音乐会的语言与齐声演唱的差异有关。原创性/价值观在全球化流行音乐消费的背景下,讨论了语言多样性的结果。
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The consumption of live music in different languages: a quantitative approach
PurposeThe consumption of music performed in different languages represents a significant aspect of the contemporary cultural experience. This phenomenon questions how different languages mediate music consumption in specific national contexts. In this paper, the authors investigate the case of live music consumption in France.Design/methodology/approachThe authors surveyed 428 persons who saw 159 artists either performing in French or in English in 46 locations around Paris, France. The authors tested the effect of the language of the concert on three dimensions of music consumption: singing in unison, appraisal of the lyrics and dancing.FindingsMultilevel analysis revealed that English was positively associated with dancing, whereas French was positively associated with the appraisal of the lyrics. The authors found no evidence that the language of the concert was associated with differences in singing in unison.Originality/valueResults are discussed with respect to language diversity in the context of globalised popular music consumption.
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CiteScore
1.60
自引率
28.60%
发文量
13
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