{"title":"父权制与音乐产业：电影《卡拉》述评","authors":"Avneesh Kumar, Lakhan Raghuvanshi","doi":"10.1080/01296612.2022.2163548","DOIUrl":null,"url":null,"abstract":"Bollywood movies dominate the Indian film industry. A typical Bollywood movie revolves around comedy, action, song, and dance sequences, as well as over-the-top drama. The “ habituated audience ” has embraced this movie culture that provides entertainment throughout the duration of the film (Srinivas, 1998). In recent years, several experimental filmmakers have strived for challenging this movie culture and the domination of Bollywood-style movies.","PeriodicalId":53411,"journal":{"name":"Media Asia","volume":"50 1","pages":"662 - 665"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Patriarchy and the music industry: review of the film Qala\",\"authors\":\"Avneesh Kumar, Lakhan Raghuvanshi\",\"doi\":\"10.1080/01296612.2022.2163548\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Bollywood movies dominate the Indian film industry. A typical Bollywood movie revolves around comedy, action, song, and dance sequences, as well as over-the-top drama. The “ habituated audience ” has embraced this movie culture that provides entertainment throughout the duration of the film (Srinivas, 1998). In recent years, several experimental filmmakers have strived for challenging this movie culture and the domination of Bollywood-style movies.\",\"PeriodicalId\":53411,\"journal\":{\"name\":\"Media Asia\",\"volume\":\"50 1\",\"pages\":\"662 - 665\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media Asia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/01296612.2022.2163548\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media Asia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/01296612.2022.2163548","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Social Sciences","Score":null,"Total":0}
Patriarchy and the music industry: review of the film Qala
Bollywood movies dominate the Indian film industry. A typical Bollywood movie revolves around comedy, action, song, and dance sequences, as well as over-the-top drama. The “ habituated audience ” has embraced this movie culture that provides entertainment throughout the duration of the film (Srinivas, 1998). In recent years, several experimental filmmakers have strived for challenging this movie culture and the domination of Bollywood-style movies.
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