在闹鬼的磨坊里的超自然遭遇:感知和体验

IF 0.4 3区 社会学 0 FOLKLORE JOURNAL OF FOLKLORE RESEARCH Pub Date : 2022-03-01 DOI:10.2979/jfolkrese.59.1.01
Merrill Kaplan
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引用次数: 0

摘要

摘要:古老的记录显示,在工业化前的挪威和瑞典,一种喜欢干扰磨粉生意的野兽经常出没于磨粉厂。看不见的手演奏的声音和音乐也能在其中一些地方听到。本文认为,这些故事反映了民间对超自然的信仰,而不仅仅是虚构的叙事传统。许多人指出,斯堪的纳维亚半岛的水磨坊是产生和维持超自然叙事的理想环境,正如劳里·洪科和大卫·j·赫福德所探索的那样。他们的方法不同,但都阐明了传统的一部分。这种传统似乎是建立在记忆的基础上的,有些是基于根据文化模式解释的感知,有些是赫福德所说的核心精神体验。在某些地方和某些时候,民间信仰很可能制约了人们的认知。在其他情况下,经验可能产生了民间信仰。
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Supernatural Encounters in the Haunted Mill: Perception and Experience
Abstract:Older records report that the mills of preindustrial Norway and Sweden were especially haunted by a beastie that liked to interfere with the business of milling. Voices and music played by unseen hands could also be heard in some of them. This essay argues that these accounts reflected folk belief in the supernatural and not just fictive narrative tradition. Much points to the water mills of Scandinavia having been an ideal environment for the generation and maintenance of supernatural narrative as explored by Lauri Honko and David J. Hufford. Their approaches are different, but both illuminate parts of the tradition. That tradition appears grounded in memorates, some based in perception interpreted in light of cultural models and some in what Hufford calls Core Spiritual Experiences. In some places and at some times, it is likely that folk belief conditioned perception. In others, experience may have generated folk belief.
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来源期刊
CiteScore
0.60
自引率
0.00%
发文量
1
期刊介绍: The Journal of Folklore Research has provided an international forum for current theory and research among scholars of traditional culture since 1964. Each issue includes topical, incisive articles of current theoretical interest to folklore and ethnomusicology as international disciplines, as well as essays that address the fieldwork experience and the intellectual history of folklore and ethnomusicology studies. Contributors include scholars and professionals in additional fields, including anthropology, area studies, communication, cultural studies, history, linguistics, literature, performance studies, religion, and semiotics.
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