{"title":"“Tombatism的触摸”:Mary Lamb、Mary Shelley、Charles Dickens和儿童在墓地阅读","authors":"J. Gardner","doi":"10.3366/vic.2022.0453","DOIUrl":null,"url":null,"abstract":"This essay is about the significance of Mary Lamb’s portrayal of a child reading from a gravestone in the short story ‘Elizabeth Villiers; or The Sailor Uncle’ from Mrs. Leicester’s School (1809). Maybe the most famous tomb-reading scene in literature is that of Pip divining the personalities of his immediate family from their gravestone at the opening of Great Expectations (1860–1). However, a similar scene had been used previously by Mary Shelley in Falkner (1837) and earlier still by Lamb in ‘Elizabeth Villiers; or The Sailor Uncle’. My argument is that Lamb’s text continued to have a hidden, posthumous existence as Shelley and Charles Dickens went on to translate that image of a child reading from their parent’s gravestone. Each author also records and transmits a practice used by poor children to gain an education. Furthermore, the grave acts as a childhood home where dead parents continue to educate their children.","PeriodicalId":40670,"journal":{"name":"Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A ‘touch of Tombatism’: Mary Lamb, Mary Shelley, Charles Dickens, and Children Reading in Graveyards\",\"authors\":\"J. Gardner\",\"doi\":\"10.3366/vic.2022.0453\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This essay is about the significance of Mary Lamb’s portrayal of a child reading from a gravestone in the short story ‘Elizabeth Villiers; or The Sailor Uncle’ from Mrs. Leicester’s School (1809). Maybe the most famous tomb-reading scene in literature is that of Pip divining the personalities of his immediate family from their gravestone at the opening of Great Expectations (1860–1). However, a similar scene had been used previously by Mary Shelley in Falkner (1837) and earlier still by Lamb in ‘Elizabeth Villiers; or The Sailor Uncle’. My argument is that Lamb’s text continued to have a hidden, posthumous existence as Shelley and Charles Dickens went on to translate that image of a child reading from their parent’s gravestone. Each author also records and transmits a practice used by poor children to gain an education. Furthermore, the grave acts as a childhood home where dead parents continue to educate their children.\",\"PeriodicalId\":40670,\"journal\":{\"name\":\"Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/vic.2022.0453\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Victoriographies-A Journal of Nineteenth-Century Writing 1790-1914","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/vic.2022.0453","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
A ‘touch of Tombatism’: Mary Lamb, Mary Shelley, Charles Dickens, and Children Reading in Graveyards
This essay is about the significance of Mary Lamb’s portrayal of a child reading from a gravestone in the short story ‘Elizabeth Villiers; or The Sailor Uncle’ from Mrs. Leicester’s School (1809). Maybe the most famous tomb-reading scene in literature is that of Pip divining the personalities of his immediate family from their gravestone at the opening of Great Expectations (1860–1). However, a similar scene had been used previously by Mary Shelley in Falkner (1837) and earlier still by Lamb in ‘Elizabeth Villiers; or The Sailor Uncle’. My argument is that Lamb’s text continued to have a hidden, posthumous existence as Shelley and Charles Dickens went on to translate that image of a child reading from their parent’s gravestone. Each author also records and transmits a practice used by poor children to gain an education. Furthermore, the grave acts as a childhood home where dead parents continue to educate their children.