{"title":"让这个探戈病毒化:在远端联觉表演中触摸不可触摸的东西","authors":"Ada Xiaoyu Hao","doi":"10.1386/jcca_00046_1","DOIUrl":null,"url":null,"abstract":"The COVID-19 pandemic has created an uncanny rift between tact and touch as it expands the virtual towards its potential. Layer upon layer of new information has been repeatedly revising and reformulating our sense of touch. The unconditional freedom of touch needs to be rendered accountable in this rift of time and space. The act of touching entails individual acknowledging the risk of reaching towards the unknown or the known. Tracing with a tactile sense of touch is to be tactful about how, where and what can such act of touching could reach, especially in the context of communicative technology. This article focuses on the possibility of virtual sensibility by challenging ways to feel touched beyond the nostalgic narratives that attempt to indict communicative technology with the loss of touch. To replenish and reinstate touch through tele-synaesthesia performance, I ask: how to elongate our somatosensensation and echo the embodied experience of touching through virtual connectivity? Tele-synaesthesia performance joints telematic and synaesthetic experience together to embody the incorporeality of touch through virtual connectivity. It embodies the injunction of physical contact and challenges what can and cannot be touched by suturing one sensuous modality to another. Inspired by Paul Sermon’s artistic production of Telematic Quarantine (2020) and Pandemic Encounters (2020), that tele-presents the stories of self (isolation), I have created The Best Facial (2021): a series of one-to-one participatory tele-synaesthesia performances, where I became a virtual aesthetician and performed ‘virtual facial care’ on Zoom amid the second wave of the pandemic in the United Kingdom. In this article, I will discuss how tele-synaesthesia performance could trigger tactile experiences in the participants in reference to Michel Foucault’s concept Heterotopia (1986) that allegorically address the incompatible physical places in the society. I discuss how to elicit an affective sensory response from non-tactile senses through virtual touch, as stated by Naomi Bennett’s ‘Telematic connections: sensing, feeling, being in space together’ (2020). I refer to Legacy Russell’s discussion on glitch (2020) to analyse the possible future of tele-synaesthesia performance and its potential for expanding virtual connectivity with an ethical touch of a non-performative refusal of the present.","PeriodicalId":40969,"journal":{"name":"Journal of Contemporary Chinese Art","volume":" ","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Make this tango viral: Touching toward the untouchable in tele-synaesthesia performance\",\"authors\":\"Ada Xiaoyu Hao\",\"doi\":\"10.1386/jcca_00046_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The COVID-19 pandemic has created an uncanny rift between tact and touch as it expands the virtual towards its potential. Layer upon layer of new information has been repeatedly revising and reformulating our sense of touch. The unconditional freedom of touch needs to be rendered accountable in this rift of time and space. The act of touching entails individual acknowledging the risk of reaching towards the unknown or the known. Tracing with a tactile sense of touch is to be tactful about how, where and what can such act of touching could reach, especially in the context of communicative technology. This article focuses on the possibility of virtual sensibility by challenging ways to feel touched beyond the nostalgic narratives that attempt to indict communicative technology with the loss of touch. To replenish and reinstate touch through tele-synaesthesia performance, I ask: how to elongate our somatosensensation and echo the embodied experience of touching through virtual connectivity? Tele-synaesthesia performance joints telematic and synaesthetic experience together to embody the incorporeality of touch through virtual connectivity. It embodies the injunction of physical contact and challenges what can and cannot be touched by suturing one sensuous modality to another. Inspired by Paul Sermon’s artistic production of Telematic Quarantine (2020) and Pandemic Encounters (2020), that tele-presents the stories of self (isolation), I have created The Best Facial (2021): a series of one-to-one participatory tele-synaesthesia performances, where I became a virtual aesthetician and performed ‘virtual facial care’ on Zoom amid the second wave of the pandemic in the United Kingdom. In this article, I will discuss how tele-synaesthesia performance could trigger tactile experiences in the participants in reference to Michel Foucault’s concept Heterotopia (1986) that allegorically address the incompatible physical places in the society. I discuss how to elicit an affective sensory response from non-tactile senses through virtual touch, as stated by Naomi Bennett’s ‘Telematic connections: sensing, feeling, being in space together’ (2020). I refer to Legacy Russell’s discussion on glitch (2020) to analyse the possible future of tele-synaesthesia performance and its potential for expanding virtual connectivity with an ethical touch of a non-performative refusal of the present.\",\"PeriodicalId\":40969,\"journal\":{\"name\":\"Journal of Contemporary Chinese Art\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Contemporary Chinese Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jcca_00046_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Contemporary Chinese Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jcca_00046_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
2019冠状病毒病(COVID-19)大流行扩大了虚拟世界的潜力,在触觉和触觉之间造成了不可思议的裂痕。一层又一层的新信息一直在反复修改和重新塑造我们的触觉。在这种时间和空间的裂痕中,需要对无条件的触摸自由负责。触摸的行为需要个体承认接触未知或已知事物的风险。用触觉进行追踪是一种委婉的方法,特别是在交流技术的背景下,这种触摸行为可以达到的方式、位置和内容。本文关注的是虚拟感性的可能性,通过挑战超越怀旧叙事的方式来感受触摸,这种怀旧叙事试图用失去触摸来控诉通信技术。为了通过远端联觉的表现来补充和恢复触觉,我提出了一个问题:如何延长我们的体感,并通过虚拟连接来呼应触觉的具体体验?远联觉的表现是将远传和联觉的体验结合在一起,通过虚拟连接来体现触觉的非物质性。它体现了身体接触的禁令,并通过将一种感官形态缝合到另一种感官形态来挑战可以触摸和不能触摸的东西。受Paul Sermon的艺术作品《Telematic Quarantine》(2020年)和《Pandemic Encounters》(2020年)的启发,我创作了《the Best Facial》(2021年):一系列一对一的参与式远程联觉表演,在英国第二波疫情期间,我成为了一名虚拟美学家,在Zoom上进行了“虚拟面部护理”。在本文中,我将参照米歇尔·福柯(Michel Foucault)的异托邦(Heterotopia, 1986)的概念,讨论远联觉的表现如何触发参与者的触觉体验,该概念寓言地解决了社会中不相容的物理场所。我讨论了如何通过虚拟触摸从非触觉感官中引出情感感官反应,正如内奥米·贝内特(Naomi Bennett)在《远程通信连接:感知、感觉、共同身处太空》(2020)中所说的那样。我参考了Legacy Russell关于glitch(2020)的讨论,分析了远端联觉表现的可能未来,以及它在扩大虚拟连接方面的潜力,同时带有对当前非表演性拒绝的伦理色彩。
Make this tango viral: Touching toward the untouchable in tele-synaesthesia performance
The COVID-19 pandemic has created an uncanny rift between tact and touch as it expands the virtual towards its potential. Layer upon layer of new information has been repeatedly revising and reformulating our sense of touch. The unconditional freedom of touch needs to be rendered accountable in this rift of time and space. The act of touching entails individual acknowledging the risk of reaching towards the unknown or the known. Tracing with a tactile sense of touch is to be tactful about how, where and what can such act of touching could reach, especially in the context of communicative technology. This article focuses on the possibility of virtual sensibility by challenging ways to feel touched beyond the nostalgic narratives that attempt to indict communicative technology with the loss of touch. To replenish and reinstate touch through tele-synaesthesia performance, I ask: how to elongate our somatosensensation and echo the embodied experience of touching through virtual connectivity? Tele-synaesthesia performance joints telematic and synaesthetic experience together to embody the incorporeality of touch through virtual connectivity. It embodies the injunction of physical contact and challenges what can and cannot be touched by suturing one sensuous modality to another. Inspired by Paul Sermon’s artistic production of Telematic Quarantine (2020) and Pandemic Encounters (2020), that tele-presents the stories of self (isolation), I have created The Best Facial (2021): a series of one-to-one participatory tele-synaesthesia performances, where I became a virtual aesthetician and performed ‘virtual facial care’ on Zoom amid the second wave of the pandemic in the United Kingdom. In this article, I will discuss how tele-synaesthesia performance could trigger tactile experiences in the participants in reference to Michel Foucault’s concept Heterotopia (1986) that allegorically address the incompatible physical places in the society. I discuss how to elicit an affective sensory response from non-tactile senses through virtual touch, as stated by Naomi Bennett’s ‘Telematic connections: sensing, feeling, being in space together’ (2020). I refer to Legacy Russell’s discussion on glitch (2020) to analyse the possible future of tele-synaesthesia performance and its potential for expanding virtual connectivity with an ethical touch of a non-performative refusal of the present.