从IRL(现实生活)到URL:捕捉2019冠状病毒病期间的艺术双年展

(Gwen) Kuan-ying Kuo
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引用次数: 0

摘要

2020年初,无法预料的COVID-19使艺术界陷入瘫痪,尤其是当代艺术界需要观众和反馈才能生存。艺术家需要新的渠道将他们与观众联系起来,而艺术家的作品需要被公众看到和欣赏,以维持其价值。然而,面对社会距离限制和游客限制,许多国际展览被迫取消或推迟。随着赞助人的减少或消失,这场全球大流行是否会带来艺术世界的终结?由于全球流行病迫使大多数社会和文化活动转移到网上,艺术双年展也不例外。本文以“艺术界的奥林匹克”这一艺术双年展为契机,重新审视新冠肺炎疫情前后“艺术”的意义。本文结合台北双年展和上海双年展的虚拟展示和数字活动,分析并呈现了艺术世界在疫情后的未来的潜在转变。
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From IRL (in-real-life) to URL: Capturing the art biennial amid COVID-19
In early 2020, the unforeseen COVID-19 has brought the art world to its knees, particularly the contemporary art scene needs viewers and feedback to survive. Artists require new channels connecting them with their audiences, while artists’ work needs to be seen and appreciated by the public to sustain its value. In the face of social distancing restrictions and limited visitors, however, many international exhibitions are forced to cancel or postponed. With less to no patronage, will the global pandemic bring the end of the art world? As the global pandemic has forced most social and cultural events moving online, the art biennials are no exception. This article examines the art biennial, the Olympics of the art world, to rediscover the meaning of ‘art’ before and after COVID-19. Integrating virtual presentation and digital campaign between the Taipei Biennial and the Shanghai Biennale, the first running art biennials across the Taiwan Strait, this article analyses and presents the art world’s potential shifts in the post-pandemic future.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
12
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