西班牙大屠杀的阴暗面。弗朗西斯科·博伊斯的毛特豪森营地经历的虚构

Q1 Arts and Humanities Holocaust Studies Pub Date : 2022-08-18 DOI:10.1080/17504902.2022.2106721
María Jesús Fernández-Gil
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引用次数: 0

摘要

摘要本文以卢比奥、科伦坡和兰达的平面小说《毛陶森》和坦格罗纳的同名电影为例,分析了西班牙正在兴起的大屠杀记忆。在形式上,这两部作品将大屠杀融入了美国美学,同时也表现出强烈的地方色彩。这个结果是有争议的,因为它通过将其意义扩展到世界犹太人之外,减少了创伤事件的特殊性。然而,视觉化的功能更加尖锐:这两部作品放大了西班牙共和党人基本上未被注意到的命运。
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The glocal dimensions of the Holocaust in Spain. The fictionalization of Francisco Boix's Mauthausen camp experience
ABSTRACT This paper provides an analysis of the Holocaust memory that is emerging in Spain, focusing on the graphic novel El fotógrafo de Mauthausen by Rubio, Colombo and Landa and the film of the same name directed by Targarona. In terms of form, the two works invest the Holocaust with an American aesthetic, while, at the same time, displaying strong local overtones. The result is controversial because it diminishes the particularity of the traumatic event by broadening its meaning beyond world Jewry. Yet, the visibilizing function is sharpened: the two works zoom in on the largely unnoticed destiny of Spanish Republicans.
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来源期刊
Holocaust Studies
Holocaust Studies Arts and Humanities-History
CiteScore
1.20
自引率
0.00%
发文量
31
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