{"title":"脆弱的阿什肯纳兹犹太人形象","authors":"M. Freilich","doi":"10.4467/20843925sj.19.001.12224","DOIUrl":null,"url":null,"abstract":"The article examines the various presentations of Ashkenazi Jews in Israeli fiction. Ashkenazi identity in Israel is controversial both in everyday life and in fiction. However, the literary and artistic manifestations of Ashkenazi Jews are quite different from their political and social image. Ashkenazi Jews are usually portrayed as the intellectual, economic, and professional elite, and also as those who were responsible for the inequality between Jews who immigrated to Israel from Europe and Jews from Arabic countries. They are depicted by the Israeli media as those who forced the oriental Jews to settle in remote towns in Israel, thus denying them the ability to move up the social ladder. The arrogant, upper-middle-class Ashkenazi is often absent from Israeli literature. Israeli artists of Ashkenazi origin present themselves in autobiographical literature as “weak” or “problematic” and they add a “fragile” aspect to the Ashkenazi identity. The Ashkenazi Jew is depicted as an insecure figure who agonizes over fears and childhood traumas. The image of the “fragile Ashkenazi,” appears in some of the most prominent Israeli writing: Amos Oz’s A Tale of Love and Darkness, David Grossman’s A Horse Walks into a Bar, and Gila Almagor’s book and film Avia’s Summer. Ashkenazi Jews in Israel, immigrants and descendants of European Jews, are the largest ethnic group of Israel’s population.1 They are sometimes portrayed in the media as an elite group that dominates the judicial system, economics, universities, and the intellectual elite in Israel.2 Ashkenazi Jews are often described as an ethnic group that exploited immigrants of Mizrachi origin, Jews who immigrated from Arab and Muslim countries and their descendants in the early years of the State of Israel. A documentary3 based on detailed research recently screened on Israeli public broadcast TV reveals how the Ashkenazi leadership took advantage of these immigrants during the large waves of immigration between 1948 and 1963. The documentary, entitled The Ancestral Sin (Salach Po Ze Eretz Israel), shows the methods used to forcibly settle in Israel new immigrants from 1 Statistical Abstract of Israel, (2018). Table 2.24 – Jews, by country of origin and age, 2017. 2 Shabi 2008. 3 Deri 2017.","PeriodicalId":38048,"journal":{"name":"Scripta Judaica Cracoviensia","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2019-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Image of the Fragile Ashkenazi Jew\",\"authors\":\"M. Freilich\",\"doi\":\"10.4467/20843925sj.19.001.12224\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The article examines the various presentations of Ashkenazi Jews in Israeli fiction. Ashkenazi identity in Israel is controversial both in everyday life and in fiction. However, the literary and artistic manifestations of Ashkenazi Jews are quite different from their political and social image. Ashkenazi Jews are usually portrayed as the intellectual, economic, and professional elite, and also as those who were responsible for the inequality between Jews who immigrated to Israel from Europe and Jews from Arabic countries. They are depicted by the Israeli media as those who forced the oriental Jews to settle in remote towns in Israel, thus denying them the ability to move up the social ladder. The arrogant, upper-middle-class Ashkenazi is often absent from Israeli literature. Israeli artists of Ashkenazi origin present themselves in autobiographical literature as “weak” or “problematic” and they add a “fragile” aspect to the Ashkenazi identity. The Ashkenazi Jew is depicted as an insecure figure who agonizes over fears and childhood traumas. The image of the “fragile Ashkenazi,” appears in some of the most prominent Israeli writing: Amos Oz’s A Tale of Love and Darkness, David Grossman’s A Horse Walks into a Bar, and Gila Almagor’s book and film Avia’s Summer. Ashkenazi Jews in Israel, immigrants and descendants of European Jews, are the largest ethnic group of Israel’s population.1 They are sometimes portrayed in the media as an elite group that dominates the judicial system, economics, universities, and the intellectual elite in Israel.2 Ashkenazi Jews are often described as an ethnic group that exploited immigrants of Mizrachi origin, Jews who immigrated from Arab and Muslim countries and their descendants in the early years of the State of Israel. A documentary3 based on detailed research recently screened on Israeli public broadcast TV reveals how the Ashkenazi leadership took advantage of these immigrants during the large waves of immigration between 1948 and 1963. The documentary, entitled The Ancestral Sin (Salach Po Ze Eretz Israel), shows the methods used to forcibly settle in Israel new immigrants from 1 Statistical Abstract of Israel, (2018). 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引用次数: 0
摘要
本文考察了以色列小说中德系犹太人的各种表现形式。无论是在日常生活中还是在小说中,德系犹太人在以色列的身份都是有争议的。然而,德系犹太人的文学和艺术表现与他们的政治和社会形象大不相同。德系犹太人通常被描绘成知识、经济和专业精英,也被描绘成对从欧洲移民到以色列的犹太人和来自阿拉伯国家的犹太人之间的不平等负责的人。他们被以色列媒体描述为那些强迫东方犹太人在以色列偏远城镇定居的人,从而剥夺了他们向上攀登社会阶梯的能力。傲慢的中上层德系犹太人在以色列文学中经常缺席。德系犹太人出身的以色列艺术家在自传体文学中表现为“软弱”或“有问题”,他们为德系犹太人的身份增添了“脆弱”的一面。阿什肯纳兹犹太人被描绘成一个没有安全感的人,为恐惧和童年的创伤而苦恼。“脆弱的德系犹太人”的形象出现在一些最著名的以色列作品中:阿莫斯·奥兹的《爱与黑暗的故事》,大卫·格罗斯曼的《一匹马走进酒吧》,以及吉拉·阿尔马戈的书和电影《阿维亚的夏天》。以色列的德系犹太人是移民和欧洲犹太人的后裔,是以色列人口中最大的民族他们有时在媒体上被描绘成统治以色列司法系统、经济、大学和知识精英的精英群体。2阿什肯纳兹犹太人经常被描述为一个剥削米兹拉奇移民的种族群体,米兹拉奇移民是以色列建国初期从阿拉伯和穆斯林国家移民的犹太人及其后裔。最近在以色列公共广播电视上播放的一部基于详细研究的纪录片揭示了在1948年至1963年的大规模移民浪潮中,德系犹太人的领导人是如何利用这些移民的。纪录片《祖罪》(Salach Po Ze Eretz Israel)展示了新移民在以色列强行定居的方法,摘自《以色列统计摘要》(2018)。表2.24 -犹太人,按原籍国和年龄划分,2017年。2 .沙比2008。2017年3月3日。
The article examines the various presentations of Ashkenazi Jews in Israeli fiction. Ashkenazi identity in Israel is controversial both in everyday life and in fiction. However, the literary and artistic manifestations of Ashkenazi Jews are quite different from their political and social image. Ashkenazi Jews are usually portrayed as the intellectual, economic, and professional elite, and also as those who were responsible for the inequality between Jews who immigrated to Israel from Europe and Jews from Arabic countries. They are depicted by the Israeli media as those who forced the oriental Jews to settle in remote towns in Israel, thus denying them the ability to move up the social ladder. The arrogant, upper-middle-class Ashkenazi is often absent from Israeli literature. Israeli artists of Ashkenazi origin present themselves in autobiographical literature as “weak” or “problematic” and they add a “fragile” aspect to the Ashkenazi identity. The Ashkenazi Jew is depicted as an insecure figure who agonizes over fears and childhood traumas. The image of the “fragile Ashkenazi,” appears in some of the most prominent Israeli writing: Amos Oz’s A Tale of Love and Darkness, David Grossman’s A Horse Walks into a Bar, and Gila Almagor’s book and film Avia’s Summer. Ashkenazi Jews in Israel, immigrants and descendants of European Jews, are the largest ethnic group of Israel’s population.1 They are sometimes portrayed in the media as an elite group that dominates the judicial system, economics, universities, and the intellectual elite in Israel.2 Ashkenazi Jews are often described as an ethnic group that exploited immigrants of Mizrachi origin, Jews who immigrated from Arab and Muslim countries and their descendants in the early years of the State of Israel. A documentary3 based on detailed research recently screened on Israeli public broadcast TV reveals how the Ashkenazi leadership took advantage of these immigrants during the large waves of immigration between 1948 and 1963. The documentary, entitled The Ancestral Sin (Salach Po Ze Eretz Israel), shows the methods used to forcibly settle in Israel new immigrants from 1 Statistical Abstract of Israel, (2018). Table 2.24 – Jews, by country of origin and age, 2017. 2 Shabi 2008. 3 Deri 2017.