{"title":"自我的绝望:林恩·乌尔曼《生命》中的“看见”与“成为”策略","authors":"Bettina Perregaard","doi":"10.5406/21638195.94.1.04","DOIUrl":null,"url":null,"abstract":"In 2015, Linn Ullmann published her autobiographical novel De urolige (2015; Unquiet [2019]). The novel deals with the relationship between parents and children. The main characters are simply referred to as the mother, the father, and the girl. Although they appear nameless, Ullmann’s parents are easily identifiable as the Swedish director, author, and producer Ingmar Bergman, and the Norwegian actress, author, and director Liv Ullmann. The novel alternates between a third-person perspective and a first-person narrative written from the girl’s point of view as she grows into adulthood. The mother, the father, and the girl do not constitute a family in the ordinary sense: “Jeg var hans barn og hennes barn, men ikke deres barn, det var aldri oss tre” (Ullmann 2015, 10) [“I was his child and her child, but not their child, it was never us three” (Ullmann 2019, 4)]. The girl suffers from the way things are: “Egentlig tror jeg at jeg har sørget over foreldrene mine hele livet” (2015, 74) [“To be honest, I think I have mourned my parents all my life” (2019, 68)]. In focusing on the relationship between parents and children, De urolige resembles other autobiographical novels recently published in Norway: Knausgård (2009), Wassmo (2013), Hjorth (2016), to mention only a few. But unlike the parents depicted in these novels,","PeriodicalId":44446,"journal":{"name":"SCANDINAVIAN STUDIES","volume":null,"pages":null},"PeriodicalIF":0.3000,"publicationDate":"2022-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Despair of Self: Strategies of Seeing and Becoming in Linn Ullmann’s De urolige\",\"authors\":\"Bettina Perregaard\",\"doi\":\"10.5406/21638195.94.1.04\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 2015, Linn Ullmann published her autobiographical novel De urolige (2015; Unquiet [2019]). The novel deals with the relationship between parents and children. The main characters are simply referred to as the mother, the father, and the girl. Although they appear nameless, Ullmann’s parents are easily identifiable as the Swedish director, author, and producer Ingmar Bergman, and the Norwegian actress, author, and director Liv Ullmann. The novel alternates between a third-person perspective and a first-person narrative written from the girl’s point of view as she grows into adulthood. The mother, the father, and the girl do not constitute a family in the ordinary sense: “Jeg var hans barn og hennes barn, men ikke deres barn, det var aldri oss tre” (Ullmann 2015, 10) [“I was his child and her child, but not their child, it was never us three” (Ullmann 2019, 4)]. The girl suffers from the way things are: “Egentlig tror jeg at jeg har sørget over foreldrene mine hele livet” (2015, 74) [“To be honest, I think I have mourned my parents all my life” (2019, 68)]. In focusing on the relationship between parents and children, De urolige resembles other autobiographical novels recently published in Norway: Knausgård (2009), Wassmo (2013), Hjorth (2016), to mention only a few. But unlike the parents depicted in these novels,\",\"PeriodicalId\":44446,\"journal\":{\"name\":\"SCANDINAVIAN STUDIES\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2022-03-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"SCANDINAVIAN STUDIES\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5406/21638195.94.1.04\",\"RegionNum\":4,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"SCANDINAVIAN STUDIES","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5406/21638195.94.1.04","RegionNum":4,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
2015年,Linn Ullmann出版了她的自传体小说《De urolige》(2015;Unquiet[199])。这部小说讲述了父母和孩子之间的关系。主要人物被简单地称为母亲、父亲和女孩。尽管他们看起来没有名字,但乌尔曼的父母很容易被认出是瑞典导演、作家和制片人英格玛·伯格曼,以及挪威女演员、作家和导演丽夫·乌尔曼。这部小说在第三人称视角和第一人称叙事之间交替,从女孩成年后的角度出发。母亲、父亲和女孩并不构成一个普通意义上的家庭:“Jeg var hans barn og hennes barn,men ikke deres barn,det var aldri oss tre”(Ullmann 2015,10)[“我是他的孩子和她的孩子,但不是他们的孩子,从来不是我们三个人”(Ulrmann 2019,4)]。女孩忍受着现状:“Egentlig tror jeg at jeg har sørget over foredrene mine hele livet”(2015,74)[“说实话,我想我一辈子都在哀悼我的父母”(2019,68)]。在关注父母和孩子之间的关系方面,De urolige类似于最近在挪威出版的其他自传体小说:Knausgård(2009)、Wassmo(2013)、Hjorth(2016),仅举几例。但与这些小说中描绘的父母不同,
Despair of Self: Strategies of Seeing and Becoming in Linn Ullmann’s De urolige
In 2015, Linn Ullmann published her autobiographical novel De urolige (2015; Unquiet [2019]). The novel deals with the relationship between parents and children. The main characters are simply referred to as the mother, the father, and the girl. Although they appear nameless, Ullmann’s parents are easily identifiable as the Swedish director, author, and producer Ingmar Bergman, and the Norwegian actress, author, and director Liv Ullmann. The novel alternates between a third-person perspective and a first-person narrative written from the girl’s point of view as she grows into adulthood. The mother, the father, and the girl do not constitute a family in the ordinary sense: “Jeg var hans barn og hennes barn, men ikke deres barn, det var aldri oss tre” (Ullmann 2015, 10) [“I was his child and her child, but not their child, it was never us three” (Ullmann 2019, 4)]. The girl suffers from the way things are: “Egentlig tror jeg at jeg har sørget over foreldrene mine hele livet” (2015, 74) [“To be honest, I think I have mourned my parents all my life” (2019, 68)]. In focusing on the relationship between parents and children, De urolige resembles other autobiographical novels recently published in Norway: Knausgård (2009), Wassmo (2013), Hjorth (2016), to mention only a few. But unlike the parents depicted in these novels,
期刊介绍:
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