{"title":"国王、女王和毛毛虫:墨尔本的妇女机构和17世纪的英国刺绣","authors":"A. Dunlop","doi":"10.1080/14434318.2022.2075617","DOIUrl":null,"url":null,"abstract":"The large embroidery 1) to be discussed here, in the collection National Gallery of Victoria (NGV), Melbourne, is an oddly doubled composition. 1 On the one hand, it is a picture of a king and queen at the centre of an idealised landscape. The rulers stand on a raised platform, framed by a draped pavilion supported by slim columns with a twisting vine decoration They are crowned and elaborately dressed. Each has a sceptre, and they hold up or exchange something that looks like a cup or chalice. Other regalia sit on a crimson throne behind them, including an orb of rule and a sword scabbard suspended on a blue belt; a dog chewing a bone lies peacefully at the king ’ s feet. Two small cas-tles hover near the top corners of the scene, where a line of clouds, a moon, and a rainbow mark the horizon and sky, and birds are shown in flight. At the bottom, a double-tiered fountain and a rocky pool with frogs and jumping fish suggest the earth and foreground.","PeriodicalId":29864,"journal":{"name":"Australian and New Zealand Journal of Art","volume":"22 1","pages":"85 - 98"},"PeriodicalIF":0.1000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Kings and Queens and Caterpillars: Women’s Agency and a Seventeenth-century English Embroidery in Melbourne\",\"authors\":\"A. Dunlop\",\"doi\":\"10.1080/14434318.2022.2075617\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The large embroidery 1) to be discussed here, in the collection National Gallery of Victoria (NGV), Melbourne, is an oddly doubled composition. 1 On the one hand, it is a picture of a king and queen at the centre of an idealised landscape. The rulers stand on a raised platform, framed by a draped pavilion supported by slim columns with a twisting vine decoration They are crowned and elaborately dressed. Each has a sceptre, and they hold up or exchange something that looks like a cup or chalice. Other regalia sit on a crimson throne behind them, including an orb of rule and a sword scabbard suspended on a blue belt; a dog chewing a bone lies peacefully at the king ’ s feet. Two small cas-tles hover near the top corners of the scene, where a line of clouds, a moon, and a rainbow mark the horizon and sky, and birds are shown in flight. At the bottom, a double-tiered fountain and a rocky pool with frogs and jumping fish suggest the earth and foreground.\",\"PeriodicalId\":29864,\"journal\":{\"name\":\"Australian and New Zealand Journal of Art\",\"volume\":\"22 1\",\"pages\":\"85 - 98\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Australian and New Zealand Journal of Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14434318.2022.2075617\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Australian and New Zealand Journal of Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14434318.2022.2075617","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
引用次数: 0
摘要
这里要讨论的大型刺绣作品,收藏于墨尔本维多利亚国家美术馆(National Gallery of Victoria, NGV),是一幅奇怪的双重构图。一方面,这是一幅国王和王后站在理想风景中心的图画。统治者站在一个凸起的平台上,由细长的柱子支撑着,柱子上有扭曲的藤蔓装饰,他们戴着王冠,穿着精心打扮。每个人都有一根权杖,他们举起或交换一些看起来像杯子或圣杯的东西。他们身后的深红色宝座上还摆放着其他的王权,包括一个规则球和一把挂在蓝色腰带上的剑鞘;一只狗安静地躺在国王的脚边啃着骨头。两个小城堡盘旋在画面的上方角落,在那里,一排云、一个月亮和一道彩虹标志着地平线和天空,鸟儿在飞翔。在底部,一个双层喷泉和一个有青蛙和跳跃的鱼的岩石池暗示了地球和前景。
Kings and Queens and Caterpillars: Women’s Agency and a Seventeenth-century English Embroidery in Melbourne
The large embroidery 1) to be discussed here, in the collection National Gallery of Victoria (NGV), Melbourne, is an oddly doubled composition. 1 On the one hand, it is a picture of a king and queen at the centre of an idealised landscape. The rulers stand on a raised platform, framed by a draped pavilion supported by slim columns with a twisting vine decoration They are crowned and elaborately dressed. Each has a sceptre, and they hold up or exchange something that looks like a cup or chalice. Other regalia sit on a crimson throne behind them, including an orb of rule and a sword scabbard suspended on a blue belt; a dog chewing a bone lies peacefully at the king ’ s feet. Two small cas-tles hover near the top corners of the scene, where a line of clouds, a moon, and a rainbow mark the horizon and sky, and birds are shown in flight. At the bottom, a double-tiered fountain and a rocky pool with frogs and jumping fish suggest the earth and foreground.