周围与被包围:走向环境的概念史

IF 2 2区 社会学 Q1 CULTURAL STUDIES Critical Inquiry Pub Date : 2023-03-01 DOI:10.1086/723676
Florian Sprenger, Erik Born, Matthew Stoltz
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引用次数: 2

摘要

在这个历史时刻,很少有术语像无所不在的术语环境那样充满活力和力量。它已经成为政治和理论的战略工具,跨越了生物学和生态学的学科边界,离开了环境保护主义的多元领域。本文探讨了这条扩展道路上的第一步,在这条道路上,术语成为一种论证资源,并实现了将其转变为通用工具的合理性。将无处不在的媒体、电影空间或增强现实描述为环境并不是不言而喻的。要理解这个术语是如何获得这种合理性的,有必要将它与另外两个术语区分开来:法国的环境和德国的Umwelt。当这三个术语相互替代并被翻译时,它们失去了历史的特殊性和深度,三种不同的理论和哲学传统融合成冷漠。因此,了解“环境”一词的概念历史及其与环境和环境的关系,以及诸如介质、大气、氛围和气候等术语,可以帮助我们理解该术语的可能性和危险性。从这个意义上说,这篇文章提出了一种关于周围事物认识论的新观点,将周围事物与被周围事物联系起来。
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Surrounding and Surrounded: Toward a Conceptual History of Environment
At this historical moment, few terms are as charged and powerful as the omnipresent term environment. It has become a strategic tool for politics and theories alike, crossed the borders of the disciplines of biology and ecology, and left the manifold field of environmentalism. This article explores the first steps on this path of expansion, in which the term becomes an argumentative resource and achieves a plausibility that transforms it into a universal tool. It is not self-evident to describe ubiquitous media, cinematic spaces, or augmented realities as environments. To understand how the term gained this plausibility, it is necessary to distinguish it from two other terms: the French milieu and the German Umwelt. When these three terms substitute one another and are used as translations, they lose their historical specificity and depth, and three different theoretical and philosophical traditions merge into indifference. Consequently, a conceptual history of the term environment and its relation to milieu and Umwelt—as well as terms such as medium, atmosphere, ambiance, and climate—can help us to understand the potentials and dangers of the term’s plausibility. In this sense, the article argues for a new perspective on epistemologies of surrounding that relate that which surrounds to that which is surrounded.
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来源期刊
Critical Inquiry
Critical Inquiry Multiple-
CiteScore
2.80
自引率
0.00%
发文量
88
期刊介绍: Critical Inquiry has published the best critical thought in the arts and humanities since 1974. Combining a commitment to rigorous scholarship with a vital concern for dialogue and debate, the journal presents articles by eminent critics, scholars, and artists on a wide variety of issues central to contemporary criticism and culture. In CI new ideas and reconsideration of those traditional in criticism and culture are granted a voice. The wide interdisciplinary focus creates surprising juxtapositions and linkages of concepts, offering new grounds for theoretical debate. In CI, authors entertain and challenge while illuminating such issues as improvisations, the life of things, Flaubert, and early modern women"s writing.
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