萨姆文学中的乐器：al-Udfuwī的Kit a b al-Imtāʿbi-ḥkām as-s a mā

IF 0.5 3区社会学 0 HUMANITIES, MULTIDISCIPLINARY Oriens Pub Date : 2023-02-07 DOI:10.1163/18778372-12340022

Yaron Klein

{"title":"萨姆文学中的乐器：al-Udfuwī的Kit a b al-Imtāʿbi-ḥkām as-s a mā","authors":"Yaron Klein","doi":"10.1163/18778372-12340022","DOIUrl":null,"url":null,"abstract":"\nSamāʿ literature reveals a tension in premodern Islamicate societies. While musical practices were ubiquitous and practiced in many contexts, Islamic legal tradition regarded them with suspicion. Musical instruments occupied a central place in these discussions, perhaps, because as physical objects associated with what is otherwise in the non-tangible domain of sound they were seen as the quintessential manifestation of music. Udfuwī’s Imtāʿ is one of the most comprehensive works in the genre, and its chapter on instruments is unique in both the length and place it ascribes to percussion instruments. Udfuwī argues for their permissibility and stresses their social importance throughout history.","PeriodicalId":43744,"journal":{"name":"Oriens","volume":" ","pages":""},"PeriodicalIF":0.5000,"publicationDate":"2023-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Musical Instruments in Samāʿ Literature: al-Udfuwī’s Kitāb al-Imtāʿ bi-aḥkām as-samāʿ\",\"authors\":\"Yaron Klein\",\"doi\":\"10.1163/18778372-12340022\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nSamāʿ literature reveals a tension in premodern Islamicate societies. While musical practices were ubiquitous and practiced in many contexts, Islamic legal tradition regarded them with suspicion. Musical instruments occupied a central place in these discussions, perhaps, because as physical objects associated with what is otherwise in the non-tangible domain of sound they were seen as the quintessential manifestation of music. Udfuwī’s Imtāʿ is one of the most comprehensive works in the genre, and its chapter on instruments is unique in both the length and place it ascribes to percussion instruments. Udfuwī argues for their permissibility and stresses their social importance throughout history.\",\"PeriodicalId\":43744,\"journal\":{\"name\":\"Oriens\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2023-02-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Oriens\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/18778372-12340022\",\"RegionNum\":3,\"RegionCategory\":\"社会学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Oriens","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/18778372-12340022","RegionNum":3,"RegionCategory":"社会学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}

引用次数: 0

摘要

萨摩伊文学揭示了前现代伊斯兰社会的紧张关系。虽然音乐实践无处不在，在许多情况下都有实践，但伊斯兰法律传统对它们持怀疑态度。乐器在这些讨论中占据了中心位置，也许是因为作为与非有形声音领域相关的物理对象，它们被视为音乐的典型表现。乌德福伊姆塔伊是该流派中最全面的作品之一，其关于乐器的章节在长度和位置上都是独一无二的，它归因于打击乐器。udfuw主张其可容许性，并强调其在历史上的社会重要性。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文

微信好友朋友圈 QQ好友复制链接

本刊更多论文

Musical Instruments in Samāʿ Literature: al-Udfuwī’s Kitāb al-Imtāʿ bi-aḥkām as-samāʿ

Samāʿ literature reveals a tension in premodern Islamicate societies. While musical practices were ubiquitous and practiced in many contexts, Islamic legal tradition regarded them with suspicion. Musical instruments occupied a central place in these discussions, perhaps, because as physical objects associated with what is otherwise in the non-tangible domain of sound they were seen as the quintessential manifestation of music. Udfuwī’s Imtāʿ is one of the most comprehensive works in the genre, and its chapter on instruments is unique in both the length and place it ascribes to percussion instruments. Udfuwī argues for their permissibility and stresses their social importance throughout history.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Oriens HUMANITIES, MULTIDISCIPLINARY-

CiteScore

1.10

自引率

33.30%

发文量

期刊介绍： Oriens is dedicated to extending our knowledge of intellectual history and developments in the rationalist disciplines in Islamic civilization, with a special emphasis on philosophy, theology, and science. These disciplines had a profoundly rich and lasting life in Islamic civilization and often interacted in complex ways--from the period of their introduction to Islamic civilization in the translation movement that began in the eighth century, through the early and classical periods of development, to the post-classical age, when they shaped even such disciplines as legal theory and poetics. The journal''s range extends from the early and classical to the early modern periods (ca. 700-1900 CE) and it engages all regions and languages of Islamic civilization. In the tradition of Hellmut Ritter, who founded Oriens in 1948, the central focus of interest of the journal is on the medieval and early modern periods of the Near and Middle East. Within this framework, the opening up of the sources and the pursuit of philological and historical research based on original source material is the main concern of its editors and contributors. In addition to individual articles, Oriens welcomes proposals for thematic volumes within the series.