{"title":"帕普尼亚董事会的新历史，西部沙漠绘画运动的新开端","authors":"D. Jorgensen","doi":"10.1080/00043079.2023.2142890","DOIUrl":null,"url":null,"abstract":"Abstract The origins of the Western Desert painting movement lie in the Central Australian settlement of Papunya in 1971 and 1972. The story of these origins has until recently been dominated by the story of Geoffrey Bardon who assisted the early artists while employed as a schoolteacher there. Bardon and subsequent historians have focused on the experience of the Pintupi, who came into Papunya from the west after living as hunter-gatherers. Recently a group of curators and scholars have questioned this emphasis, arguing that it was instead Anmatyerr men from the east and north who made the first Western Desert paintings.","PeriodicalId":46667,"journal":{"name":"ART BULLETIN","volume":"105 1","pages":"7 - 35"},"PeriodicalIF":0.4000,"publicationDate":"2023-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement\",\"authors\":\"D. Jorgensen\",\"doi\":\"10.1080/00043079.2023.2142890\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract The origins of the Western Desert painting movement lie in the Central Australian settlement of Papunya in 1971 and 1972. The story of these origins has until recently been dominated by the story of Geoffrey Bardon who assisted the early artists while employed as a schoolteacher there. Bardon and subsequent historians have focused on the experience of the Pintupi, who came into Papunya from the west after living as hunter-gatherers. Recently a group of curators and scholars have questioned this emphasis, arguing that it was instead Anmatyerr men from the east and north who made the first Western Desert paintings.\",\"PeriodicalId\":46667,\"journal\":{\"name\":\"ART BULLETIN\",\"volume\":\"105 1\",\"pages\":\"7 - 35\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2023-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ART BULLETIN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/00043079.2023.2142890\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ART BULLETIN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/00043079.2023.2142890","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
New Histories of the Papunya Boards, New Beginnings for the Western Desert Painting Movement
Abstract The origins of the Western Desert painting movement lie in the Central Australian settlement of Papunya in 1971 and 1972. The story of these origins has until recently been dominated by the story of Geoffrey Bardon who assisted the early artists while employed as a schoolteacher there. Bardon and subsequent historians have focused on the experience of the Pintupi, who came into Papunya from the west after living as hunter-gatherers. Recently a group of curators and scholars have questioned this emphasis, arguing that it was instead Anmatyerr men from the east and north who made the first Western Desert paintings.
期刊介绍：
The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year in March, June, September, and December
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