看到就是相信:洛林公爵府与皇室地位投影中的视觉展示

Q3 Arts and Humanities Royal Studies Journal Pub Date : 2022-12-15 DOI:10.21039/rsj.214
Jonathan W. Spangler
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引用次数: 0

摘要

本文考察了近代早期统治小国洛林公国的王朝在面对更大的邻国(尤其是法国)的扩张时所采用的视觉策略。中心论点认为,为了被视为完全的王室成员(因此拥有独立存在的固有权利,作为王子社会的正式成员),像洛林公爵这样的王子必须在他们的视觉表现中表现为王室成员。因此,本文着眼于朝代随着时间的推移所产生的不同的自我表现的例子,包括家谱论文、硬币、肖像和印刷材料,以了解这是如何实现的,以及使用了什么符号。由此可见,这一策略更倾向于王朝主义,而不一定是国家建设。虽然可以说,这一策略对洛林公国来说是失败的,但对王朝本身来说,它证明是成功的,甚至超出了人们的想象。这一观点重新定位了我们在这一时期对“主权”的概念,至少在某些情况下,它是一种与王朝有关的品质,而不是更严格地与他们所统治的国家有关。1737年,他们在洛林的世袭庄园失去了,但作为托斯卡纳大公,这个王朝幸存了下来,并且通过与哈布斯堡女继承人玛丽亚·特蕾莎的婚姻和1745年洛林的弗朗西斯·斯蒂芬被选为神圣罗马帝国皇帝,被认为值得转变为一个完全的皇室甚至帝国王朝。
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Seeing is Believing: The Ducal House of Lorraine and Visual Displays in the Projection of Royal Status
This article examines the visual strategies employed in the early modern period by a dynasty ruling a smaller state, the Duchy of Lorraine, to survive in the face of expansion by larger neighbours (notably France). The central argument posits that in order to be treated as fully royal (and therefore with inherent rights to exist independently, as full members of the society of princes), princes like the dukes of Lorraine had to appear as royal in their visual representation. The article therefore looks at different examples of selfrepresentation produced by the dynasty over time, including genealogical treatises, coins, portraits, and printed material, in order to see how this was achieved and what symbols were used. What emerges is a sense that this strategy was more closely tied to dynasticism, not necessarily state-building, and while it can be said to have failed for the Duchy of Lorraine as a state, it proved successful, even beyond what had been imagined, for the dynasty itself. This idea repositions our conceptions of “sovereignty” in this period, to see it, at least in some cases, as a quality pertaining to dynasties rather than more rigidly to the states they governed. Their hereditary estates in Lorraine were lost in 1737 but the dynasty survived, as grand dukes of Tuscany, and was deemed worthy of transformation into a fully royal—even imperial—dynasty through marriage to the Habsburg heiress Maria Theresa and the election of Francis Stephen of Lorraine as Holy Roman Emperor in 1745.
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来源期刊
Royal Studies Journal
Royal Studies Journal Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
24 weeks
期刊最新文献
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