{"title":"维吉尔教堂的纪念碑他们亲眼目睹了拜占廷、高加索、叙利亚以及北美索不达米亚地区所表现的文化","authors":"A. Bergmeier","doi":"10.1484/j.convi.5.123118","DOIUrl":null,"url":null,"abstract":"This case study of the aniconic wall paintings – red-colored, monumental crosses from the mid-thirteenth century – in Vienna’s subterranean Chapel of St. Virgil demonstrates that, in the absence of...","PeriodicalId":40765,"journal":{"name":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","volume":"7 1","pages":"36-57"},"PeriodicalIF":0.2000,"publicationDate":"2020-12-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Die Ausmalungen der Wiener Virgilkapelle. Die visuelle Kultur in Byzanz, im Kaukasus, in Syrien und Nordmesopotamien\",\"authors\":\"A. Bergmeier\",\"doi\":\"10.1484/j.convi.5.123118\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This case study of the aniconic wall paintings – red-colored, monumental crosses from the mid-thirteenth century – in Vienna’s subterranean Chapel of St. Virgil demonstrates that, in the absence of...\",\"PeriodicalId\":40765,\"journal\":{\"name\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"volume\":\"7 1\",\"pages\":\"36-57\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2020-12-23\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1484/j.convi.5.123118\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"MEDIEVAL & RENAISSANCE STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Convivium-Exchanges and Interactions in the Arts of Medieval Europe Byzantium and the Mediterranean","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1484/j.convi.5.123118","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"MEDIEVAL & RENAISSANCE STUDIES","Score":null,"Total":0}
Die Ausmalungen der Wiener Virgilkapelle. Die visuelle Kultur in Byzanz, im Kaukasus, in Syrien und Nordmesopotamien
This case study of the aniconic wall paintings – red-colored, monumental crosses from the mid-thirteenth century – in Vienna’s subterranean Chapel of St. Virgil demonstrates that, in the absence of...
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