{"title":"帝国的痕迹:旅行和让-保罗·考夫曼关于禁闭的寓言","authors":"P. Crowley","doi":"10.1080/13645145.2021.2006878","DOIUrl":null,"url":null,"abstract":"ABSTRACT Jean-Paul Kauffmann is a travel writer whose work obliquely interrogates his long and difficult confinement as a hostage in Beirut from May 1985 to 4 May 1988. His work engages, in part, with sites and traces of French imperialism that sponsor a reflection upon confinement and freedom and on a self that is ruptured from the past and in search of the reparative. This article examines traces of French colonialism within Kauffmann's work, tracking them, in particular, in La Maison du retour (2007). It is argued that his engagement with the colonial is a self-limiting, if paradoxically doubling, discursive exploration that explicitly rejects the horizontal expansion of the rhizome towards an oppressed other in favour of the root's verticality that might offer a connection across the void of his crushing experience, and gravitational pull, of confinement. His work offers a restricted form of microspection that, understandably, shores up the self.","PeriodicalId":35037,"journal":{"name":"Studies in Travel Writing","volume":"25 1","pages":"179 - 194"},"PeriodicalIF":0.0000,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Traces of empire: travel and Jean-Paul Kauffmann's allegories of confinement\",\"authors\":\"P. Crowley\",\"doi\":\"10.1080/13645145.2021.2006878\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Jean-Paul Kauffmann is a travel writer whose work obliquely interrogates his long and difficult confinement as a hostage in Beirut from May 1985 to 4 May 1988. His work engages, in part, with sites and traces of French imperialism that sponsor a reflection upon confinement and freedom and on a self that is ruptured from the past and in search of the reparative. This article examines traces of French colonialism within Kauffmann's work, tracking them, in particular, in La Maison du retour (2007). It is argued that his engagement with the colonial is a self-limiting, if paradoxically doubling, discursive exploration that explicitly rejects the horizontal expansion of the rhizome towards an oppressed other in favour of the root's verticality that might offer a connection across the void of his crushing experience, and gravitational pull, of confinement. His work offers a restricted form of microspection that, understandably, shores up the self.\",\"PeriodicalId\":35037,\"journal\":{\"name\":\"Studies in Travel Writing\",\"volume\":\"25 1\",\"pages\":\"179 - 194\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Travel Writing\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/13645145.2021.2006878\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Travel Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/13645145.2021.2006878","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Traces of empire: travel and Jean-Paul Kauffmann's allegories of confinement
ABSTRACT Jean-Paul Kauffmann is a travel writer whose work obliquely interrogates his long and difficult confinement as a hostage in Beirut from May 1985 to 4 May 1988. His work engages, in part, with sites and traces of French imperialism that sponsor a reflection upon confinement and freedom and on a self that is ruptured from the past and in search of the reparative. This article examines traces of French colonialism within Kauffmann's work, tracking them, in particular, in La Maison du retour (2007). It is argued that his engagement with the colonial is a self-limiting, if paradoxically doubling, discursive exploration that explicitly rejects the horizontal expansion of the rhizome towards an oppressed other in favour of the root's verticality that might offer a connection across the void of his crushing experience, and gravitational pull, of confinement. His work offers a restricted form of microspection that, understandably, shores up the self.
期刊介绍:
Founded in 1997 by Tim Youngs, Studies in Travel Writing is an international, refereed journal dedicated to research on travel texts and to scholarly approaches to them. Unrestricted by period or region of study, the journal allows for specific contexts of travel writing to be established and for the application of a range of scholarly and critical approaches. It welcomes contributions from within, between or across academic disciplines; from senior scholars and from those at the start of their careers. It also publishes original interviews with travel writers, special themed issues, and book reviews.