通过《寄生虫》解读日本哲学:共存的悖论

IF 0.2 0 PHILOSOPHY Journal of Japanese Philosophy Pub Date : 2017-07-01 DOI:10.1353/JJP.2017.0003
Poon Man Wai Carol
{"title":"通过《寄生虫》解读日本哲学:共存的悖论","authors":"Poon Man Wai Carol","doi":"10.1353/JJP.2017.0003","DOIUrl":null,"url":null,"abstract":"Abstract:Popular culture not only entertains audiences on the surface, it even stimulates readers to work through certain contemporary issues in a way that older art forms cannot. A number of scholars have described Japanese popular culture as a powerful means to understand Japanese society via the images, movement, story, and language it contains. In this way, it may be like other, older forms of media, such as books and newspapers, which are often used as \"texts\" for \"decoding\" societal structures and values. In this article, I adopt the view that manga is a fruitful medium for capturing the prevailing issues that intersect our everyday activities, as well as the shifting of images in a constantly changing society. As manga is a useful mirror into contemporary Japanese society, it may offer a path of insight for us to understand the reality or distortion of reality of Japanese society. One assumption in my work is that if manga is actually a reflection of the structure and values of society, then the changes that the concept of \"self\" has undergone in Japan will certainly appear in anime and manga, as well. Therefore, the overall aim of this article is to analyze the content of a popular Japanese manga, Parasyte, in order to understand the paradoxes of subjectivity and coexistence in Japan.","PeriodicalId":29679,"journal":{"name":"Journal of Japanese Philosophy","volume":"5 1","pages":"67 - 78"},"PeriodicalIF":0.2000,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1353/JJP.2017.0003","citationCount":"0","resultStr":"{\"title\":\"Reading Japanese Philosophy through Parasyte: The Paradox of Coexistence\",\"authors\":\"Poon Man Wai Carol\",\"doi\":\"10.1353/JJP.2017.0003\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:Popular culture not only entertains audiences on the surface, it even stimulates readers to work through certain contemporary issues in a way that older art forms cannot. A number of scholars have described Japanese popular culture as a powerful means to understand Japanese society via the images, movement, story, and language it contains. In this way, it may be like other, older forms of media, such as books and newspapers, which are often used as \\\"texts\\\" for \\\"decoding\\\" societal structures and values. In this article, I adopt the view that manga is a fruitful medium for capturing the prevailing issues that intersect our everyday activities, as well as the shifting of images in a constantly changing society. As manga is a useful mirror into contemporary Japanese society, it may offer a path of insight for us to understand the reality or distortion of reality of Japanese society. One assumption in my work is that if manga is actually a reflection of the structure and values of society, then the changes that the concept of \\\"self\\\" has undergone in Japan will certainly appear in anime and manga, as well. Therefore, the overall aim of this article is to analyze the content of a popular Japanese manga, Parasyte, in order to understand the paradoxes of subjectivity and coexistence in Japan.\",\"PeriodicalId\":29679,\"journal\":{\"name\":\"Journal of Japanese Philosophy\",\"volume\":\"5 1\",\"pages\":\"67 - 78\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2017-07-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1353/JJP.2017.0003\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Japanese Philosophy\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/JJP.2017.0003\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"PHILOSOPHY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Japanese Philosophy","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/JJP.2017.0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"PHILOSOPHY","Score":null,"Total":0}
引用次数: 0

摘要

摘要:流行文化不仅在表面上娱乐观众,它甚至激发读者以一种旧艺术形式无法做到的方式来解决某些当代问题。许多学者将日本流行文化描述为通过其包含的图像、运动、故事和语言来了解日本社会的有力手段。在这方面,它可能像其他旧形式的媒体,如书籍和报纸,经常被用作“文本”来“解码”社会结构和价值观。在这篇文章中,我认为漫画是一种富有成效的媒介,它捕捉了与我们日常生活息息相关的流行问题,以及在不断变化的社会中形象的变化。由于漫画是当代日本社会的一面有用的镜子,它可能为我们了解日本社会的现实或扭曲的现实提供一条洞察力的途径。我工作中的一个假设是,如果漫画实际上是社会结构和价值观的反映,那么日本“自我”概念的变化肯定也会出现在动漫和漫画中。因此,本文的总体目的是分析日本流行漫画《寄生虫》的内容,以了解日本的主体性与共存的悖论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
Reading Japanese Philosophy through Parasyte: The Paradox of Coexistence
Abstract:Popular culture not only entertains audiences on the surface, it even stimulates readers to work through certain contemporary issues in a way that older art forms cannot. A number of scholars have described Japanese popular culture as a powerful means to understand Japanese society via the images, movement, story, and language it contains. In this way, it may be like other, older forms of media, such as books and newspapers, which are often used as "texts" for "decoding" societal structures and values. In this article, I adopt the view that manga is a fruitful medium for capturing the prevailing issues that intersect our everyday activities, as well as the shifting of images in a constantly changing society. As manga is a useful mirror into contemporary Japanese society, it may offer a path of insight for us to understand the reality or distortion of reality of Japanese society. One assumption in my work is that if manga is actually a reflection of the structure and values of society, then the changes that the concept of "self" has undergone in Japan will certainly appear in anime and manga, as well. Therefore, the overall aim of this article is to analyze the content of a popular Japanese manga, Parasyte, in order to understand the paradoxes of subjectivity and coexistence in Japan.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
期刊最新文献
Toward a Dialectics of Emptiness: Overcoming Nihilism and Combatting Mechanization in Nishitani Keiji’s Postwar Thought The Influence of Chinese Sources on the Formation of Philosophy in the Tokyo School: Focusing on Kuwaki Gen’yoku Race, Buddhism, and the Formation of Oriental (Tōyō) Philosophy in Meiji Japan Ōmori Shōzō and Kotodama Theory: How Can We Overcome the Need for Bodily Encounters? Reply to Laÿna Droz’s Review of Watsuji on Nature: Japanese Philosophy in the Wake of Heidegger
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1