{"title":"简·洛·施恩伯恩《最后一艘船》中的华人加勒比侨民与表演主体性","authors":"Ping Su","doi":"10.1007/s11059-022-00641-1","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":54002,"journal":{"name":"NEOHELICON","volume":"50 1","pages":"191 - 205"},"PeriodicalIF":0.2000,"publicationDate":"2022-06-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Chinese Caribbean diaspora and performative subjectivity in Jan Lowe Shinebourne’s The Last Ship\",\"authors\":\"Ping Su\",\"doi\":\"10.1007/s11059-022-00641-1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":54002,\"journal\":{\"name\":\"NEOHELICON\",\"volume\":\"50 1\",\"pages\":\"191 - 205\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2022-06-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEOHELICON\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1007/s11059-022-00641-1\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEOHELICON","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1007/s11059-022-00641-1","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
期刊介绍:
Neohelicon welcomes studies on all aspects of comparative and world literature, critical theory and practice. In the discussion of literary historical topics (including literary movements, epochs, or regions), analytical contributions based on a solidly-anchored methodology are preferred.