已同意并定居在印度尼西亚

QOF Pub Date : 2021-06-15 DOI:10.30762/QOF.V5I1.3114
Salamah Noorhidayati, Hibbi Farihin
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引用次数: 2

摘要

《古兰经》中有两个艺术元素,它们来自两个不同的来源。首先,从《古兰经》的内部,如语言风格,措辞,经文之间的关系等。第二,从《古兰经》的外部,如如何阅读,节奏(nagham/langgam)等。本研究的重点是第二部分,即古兰经经文中的节奏(nagham),更具体地说是阿拉伯人的阿拉伯语节奏。自伊斯兰教出现以来,伊斯兰世界的古兰经经文中就有韵律存在的历史。然而,在印度尼西亚,阿拉伯节奏的历史仍然令人困惑。因此,本研究旨在追溯阿拉伯语节奏在印度尼西亚的进入和使用的早期历史。本研究采用描述性历史方法。本研究发现,阿拉伯纳加姆语在印度尼西亚出现的早期历史,与20世纪的中东群岛学者网络密不可分。自20世纪50年代Jam'iyyatu al-Qurra ' wa al-Huffa bbbbz (JQH)成立以及PTIQ和IIQ出现以来,阿拉伯语的Nagham一直在不断发展。阿拉伯节奏在印度尼西亚被用于各种场合,例如作为比赛(MTQ),在每个活动开始时阅读,阅读古兰经(tadarus),古兰经背诵音乐会。
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MELACAK SEJARAH DAN PENGGUNAAN NAGHAM ARABI DI INDONESIA
There are two elements of art in the Quran which come from two different sources. First, from the internals of Quran, such as language style, diction, correlation between verses, and others. Second, from the external of the Quran, such as how to read, rhythm (nagham/langgam), and others. This study focusedd on the second part, namely the rhythm (nagham) in Quranic verses and more specifically on the Arabic rhythm of Arab. The history of the existence of the rhythm in Quran verses in the Islamic world has existed since Islam appeared in the world. However, in Indonesia, the history of Arabic rhythm is still confusing. Therefore, this study aimed to trace the early history of the entry and use of the Arabic rhythm in Indonesia. This research used descriptive-historical method. This research found the early history of the emergence of the nagham of Arab in Indonesia which is inseparable from the network of archipelago scholars with the Middle East in the twentieth century. Nagham of Arab has continued to develop since the establishment of Jam'iyyatu al-Qurra’ wa al-Huffa>z (JQH) in the 1950s and the presence of PTIQ and IIQ. Arabic rhythm is used in Indonesia in various occasions, such as being used as a competition (MTQ), reading at the beginning of every event, reading of Quran (tadarus), and Quranic recitation concert.
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QOF
QOF
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