图标,接触遗物,纪念品:圣母埃莱乌萨微型马赛克图标在大都会

IF 0.2 2区 艺术学 0 ART METROPOLITAN MUSEUM JOURNAL Pub Date : 2021-01-01 DOI:10.1086/718039
Maria E. Harvey
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引用次数: 0

摘要

在大都会艺术博物馆的教堂后殿画廊里,陈列着闪闪发光的珐釉瓷、彩绘手稿、象牙和彩绘圣像,其中有一幅圣母埃莱乌萨(拜占庭,1300年代早期)的微马赛克圣像(图1)。这幅圣像只有11.2 × 8.6 × 1.3厘米,当它被移动的、闪烁的光线击中时,会让观众感到震惊,金色闪闪发光,背景退去,圣母和圣子变成了三维的。每一幅图——许多只有几毫米宽——捕捉到的光线都不一样,而这个图标复杂而破碎的表面变得迷人。圣母和圣婴的袍子上精致的彩绘与人物将脸颊贴在一起的温柔相匹配,而圣母细长的手指即将抚摸她的儿子。在
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Icon, Contact Relic, Souvenir: The Virgin Eleousa Micromosaic Icon at The Met
Among the glittering enamels, illuminated manuscripts, the ivories, and painted icons displayed in the Church Apse gallery in The Metropolitan Museum of Art sits the micromosaic icon of the Virgin Eleousa (Byzantine, early 1300s) (fig. 1). Measuring only 11.2 × 8.6 × 1.3 centimeters, the icon astonishes the viewer when hit by a moving, shimmering light, which makes the gold glitter, the background recede, and the Virgin and Child become threedimensional. Each tessera—many only a few millimeters wide—catches the light differently and the icon’s complex and fractured surface becomes captivating. The delicate chrysography on the robes of the Virgin and Child matches the tenderness with which the figures place their cheeks against each other, and the elongated fingers of the Virgin about to caress her son. On the
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