{"title":"作为艺术的艺术指数","authors":"Jennifer Gradecki","doi":"10.1080/01973762.2018.1435488","DOIUrl":null,"url":null,"abstract":"For artists already participating in the art market, appropriating the tools of finance may help them to gain more control and protection in this financializing field. Art Investment 2014-Art Asset 1 is a tactical intervention by this author that is grounded in institutional critique methods – including Bourdieuian sociological analysis – that uses scraped stock market data-feeds to visualize the performance of companies on the Skate’s Art Stock Index (SASI). The SASI is an art industry index fund that provides investors with access to the art market without buying art. Art indexes such as the SASI reduce the impact of an artist’s work to a data-point averaged alongside the expected quarterly profit of major auction houses. As such, the SASI represents a total financial abstraction. Examination reveals the index’s lack of objectivity and raises doubts about its ability to represent the industry. Art market financialization threatens to shift the field from pre-capitalist logic, which disavows profit-seeking, towards increasingly profit-driven motives, leading to financial abstraction and the transposition of technical obscurity from the field of finance. Art Investment 2014-AA1 makes the SASI into an artwork: its placement in a museum underscores the role of the museum in the market. The ‘art index as art’ exposes and inverts the logic of art investment, while questioning assumptions underpinning the art index: including the notion that value can be financially abstracted from art objects. Despite the discontinuation of the SASI, art market financialization shows no signs of diminishing, and there is still room for creative intervention.","PeriodicalId":41894,"journal":{"name":"Visual Resources","volume":"34 1","pages":"65 - 92"},"PeriodicalIF":0.3000,"publicationDate":"2018-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/01973762.2018.1435488","citationCount":"0","resultStr":"{\"title\":\"The Art Index as Art\",\"authors\":\"Jennifer Gradecki\",\"doi\":\"10.1080/01973762.2018.1435488\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"For artists already participating in the art market, appropriating the tools of finance may help them to gain more control and protection in this financializing field. Art Investment 2014-Art Asset 1 is a tactical intervention by this author that is grounded in institutional critique methods – including Bourdieuian sociological analysis – that uses scraped stock market data-feeds to visualize the performance of companies on the Skate’s Art Stock Index (SASI). The SASI is an art industry index fund that provides investors with access to the art market without buying art. Art indexes such as the SASI reduce the impact of an artist’s work to a data-point averaged alongside the expected quarterly profit of major auction houses. As such, the SASI represents a total financial abstraction. Examination reveals the index’s lack of objectivity and raises doubts about its ability to represent the industry. 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引用次数: 0
摘要
对于已经参与艺术市场的艺术家来说,挪用金融工具可能有助于他们在这个金融领域获得更多的控制和保护。Art Investment 2014 Art Asset 1是作者的一项战术干预,基于制度批判方法,包括布迪厄社会学分析,该方法使用废弃的股市数据来可视化Skate艺术股票指数(SASI)上公司的表现。SASI是一个艺术行业指数基金,为投资者提供了在不购买艺术品的情况下进入艺术市场的机会。SASI等艺术指数将艺术家作品的影响降低到与主要拍卖行预期季度利润一起平均的数据点。因此,SASI代表了一种完全的财务抽象。调查显示,该指数缺乏客观性,并引发了人们对其代表行业能力的怀疑。艺术市场金融化有可能将该领域从否认逐利的前资本主义逻辑转向越来越以利润为驱动的动机,导致金融抽象和技术模糊性从金融领域转移。艺术投资2014-AA1将SASI打造成艺术品:它在博物馆中的位置突显了博物馆在市场中的作用。“艺术指数即艺术”暴露并颠覆了艺术投资的逻辑,同时质疑了支撑艺术指数的假设:包括价值可以从艺术对象中抽象出来的概念。尽管SASI已经停止,但艺术市场的金融化没有减弱的迹象,仍然有创造性干预的空间。
For artists already participating in the art market, appropriating the tools of finance may help them to gain more control and protection in this financializing field. Art Investment 2014-Art Asset 1 is a tactical intervention by this author that is grounded in institutional critique methods – including Bourdieuian sociological analysis – that uses scraped stock market data-feeds to visualize the performance of companies on the Skate’s Art Stock Index (SASI). The SASI is an art industry index fund that provides investors with access to the art market without buying art. Art indexes such as the SASI reduce the impact of an artist’s work to a data-point averaged alongside the expected quarterly profit of major auction houses. As such, the SASI represents a total financial abstraction. Examination reveals the index’s lack of objectivity and raises doubts about its ability to represent the industry. Art market financialization threatens to shift the field from pre-capitalist logic, which disavows profit-seeking, towards increasingly profit-driven motives, leading to financial abstraction and the transposition of technical obscurity from the field of finance. Art Investment 2014-AA1 makes the SASI into an artwork: its placement in a museum underscores the role of the museum in the market. The ‘art index as art’ exposes and inverts the logic of art investment, while questioning assumptions underpinning the art index: including the notion that value can be financially abstracted from art objects. Despite the discontinuation of the SASI, art market financialization shows no signs of diminishing, and there is still room for creative intervention.