“建筑形成的空间”(上):从物质性解读罗瑟勒姆故居

J. Gatley
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引用次数: 0

摘要

摘要集团建筑师是新西兰最著名的区域现代主义实践者。即使国际利益得到承认,它们也与在建筑中寻找新西兰特色联系在一起。2003年,小组成员Bruce Rotherham(1926–2004)与这篇评论保持距离,强调他早期关注的是“由建筑形成的空间”,而不是新西兰。这里感兴趣的是他对建筑的特权,即建筑材料的组合和属性。这篇文章探讨了罗瑟勒姆最著名的新西兰建筑——奥克兰斯坦利湾的罗瑟勒姆之家(1951年)的物质性。它询问了房子里使用的四种主要材料:木材、石头、砖和玻璃。它问道,每种材料的历史是什么,它的使用方式揭示了罗瑟勒姆的兴趣和影响是什么?这篇文章表明,对罗瑟勒姆来说,奥克兰19世纪的哥特式复兴木教堂可能是新西兰的影响来源。然后,它比之前对该小组的研究更进一步,提出了罗瑟勒姆可能知道的特定海外建筑,并预测了罗瑟汉姆之家的材料调色板。引用弗兰克·劳埃德·赖特、勒·柯布西耶和阿尔瓦·阿尔托在20世纪30年代和40年代的作品是经常出现的。
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“Space Formed by Building” Part 1: Reading the Rotherham House through Its Materiality
ABSTRACT Group Architects are New Zealand’s best-known practitioners of regional modernism. They are associated with the search for New Zealandness in architecture, even as international interests are acknowledged. In 2003, Group member Bruce Rotherham (1926–2004) distanced himself from much of this commentary, emphasising his own early focus on “space formed by building”, not New Zealandness. Of interest here is his privileging of building, that is, the assemblage and attributes of building materials. The article explores the materiality of Rotherham’s best-known New Zealand building, the Rotherham House in Stanley Bay, Auckland (1951). It interrogates each of the four main materials used in the house: wood, stone, brick and glass. It asks, what is the history of each material, and what does the way it was used reveal about Rotherham’s interests and influences? The article suggests that for Rotherham, Auckland’s nineteenth-century Gothic Revival timber churches were a likely New Zealand source of influence. It then goes further than previous scholarship on the Group by suggesting specific overseas buildings that Rotherham is likely to have known and that anticipate the material palette of the Rotherham House. Reference to the 1930s and 40s work of Frank Lloyd Wright, Le Corbusier and Alvar Aalto is recurrent.
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来源期刊
CiteScore
0.50
自引率
25.00%
发文量
26
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