{"title":"公主与少女:土耳其共和国早期的电力本土化","authors":"Bahar Emgin","doi":"10.1080/17406315.2019.1759935","DOIUrl":null,"url":null,"abstract":"Abstract This article is concerned with the question of how electricity was introduced into the home in Turkey during a period when electrification of the country ran in parallel with the establishment of the new republic. Republican discourses of modernization and progress attributed electricity a symbolic transformative power. Yet, the robust power of electricity had to be domesticated before it was introduced into the homes to comply with the ideal of modern home. Visual representations of electricity constituted a crucial step in this process of domestication. To figure out the visual strategies of domestication the study focuses on the representations of electricity produced by prominent mediators of domestic electricity during the period. These include the bi-monthly publication of İstanbul’s electric provider Société Anonyme d’Installations Eléctriques (SATIE) named Ameli Elektrik and prominent women’s and family magazines of the period, which are Yedigün and Ev-İş. Dwelling on advertisement images, cover illustrations and promotional pieces, this article identifies two main visual strategies of domestication, namely mythification and anthropomorphization. Throughout the text it is argued that visual representations of electricity for residential users undermined the quasi-neutral definition of electricity as a modern power and rather worked to frame electricity as a means of distinction and pictured a pretentious modernity.","PeriodicalId":44765,"journal":{"name":"Home Cultures","volume":"16 1","pages":"109 - 133"},"PeriodicalIF":0.5000,"publicationDate":"2019-05-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17406315.2019.1759935","citationCount":"0","resultStr":"{\"title\":\"Princesses Versus Maids: Domesticating Electricity in the Early Republican Period in Turkey\",\"authors\":\"Bahar Emgin\",\"doi\":\"10.1080/17406315.2019.1759935\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article is concerned with the question of how electricity was introduced into the home in Turkey during a period when electrification of the country ran in parallel with the establishment of the new republic. Republican discourses of modernization and progress attributed electricity a symbolic transformative power. Yet, the robust power of electricity had to be domesticated before it was introduced into the homes to comply with the ideal of modern home. Visual representations of electricity constituted a crucial step in this process of domestication. To figure out the visual strategies of domestication the study focuses on the representations of electricity produced by prominent mediators of domestic electricity during the period. These include the bi-monthly publication of İstanbul’s electric provider Société Anonyme d’Installations Eléctriques (SATIE) named Ameli Elektrik and prominent women’s and family magazines of the period, which are Yedigün and Ev-İş. Dwelling on advertisement images, cover illustrations and promotional pieces, this article identifies two main visual strategies of domestication, namely mythification and anthropomorphization. Throughout the text it is argued that visual representations of electricity for residential users undermined the quasi-neutral definition of electricity as a modern power and rather worked to frame electricity as a means of distinction and pictured a pretentious modernity.\",\"PeriodicalId\":44765,\"journal\":{\"name\":\"Home Cultures\",\"volume\":\"16 1\",\"pages\":\"109 - 133\"},\"PeriodicalIF\":0.5000,\"publicationDate\":\"2019-05-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/17406315.2019.1759935\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Home Cultures\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/17406315.2019.1759935\",\"RegionNum\":4,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ARCHITECTURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Home Cultures","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/17406315.2019.1759935","RegionNum":4,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ARCHITECTURE","Score":null,"Total":0}
引用次数: 0
摘要
摘要本文关注的是在土耳其电气化与新共和国建立并行的时期,电力是如何引入家庭的问题。共和党关于现代化和进步的论述将电力视为一种象征性的变革力量。然而,为了符合现代家庭的理想,在将强大的电力引入家庭之前,它必须被驯化。电的视觉表现是这一驯化过程中至关重要的一步。为了弄清驯化的视觉策略,本研究着重研究了这一时期著名的家庭电力中介所产生的电力表征。其中包括İstanbul的电子供应商sociemanonyme d 'Installations elsamctriques (SATIE)的双月刊,名为Ameli Elektrik,以及当时著名的妇女和家庭杂志yedig n和Ev-İş。本文以广告形象、封面插图和宣传品为例,分析了两种主要的视觉归化策略,即神话化和拟人化。在整篇文章中,作者认为,住宅用户用电的视觉表现破坏了用电作为一种现代力量的准中性定义,而是将电力作为一种区分手段,描绘出一种自命不凡的现代性。
Princesses Versus Maids: Domesticating Electricity in the Early Republican Period in Turkey
Abstract This article is concerned with the question of how electricity was introduced into the home in Turkey during a period when electrification of the country ran in parallel with the establishment of the new republic. Republican discourses of modernization and progress attributed electricity a symbolic transformative power. Yet, the robust power of electricity had to be domesticated before it was introduced into the homes to comply with the ideal of modern home. Visual representations of electricity constituted a crucial step in this process of domestication. To figure out the visual strategies of domestication the study focuses on the representations of electricity produced by prominent mediators of domestic electricity during the period. These include the bi-monthly publication of İstanbul’s electric provider Société Anonyme d’Installations Eléctriques (SATIE) named Ameli Elektrik and prominent women’s and family magazines of the period, which are Yedigün and Ev-İş. Dwelling on advertisement images, cover illustrations and promotional pieces, this article identifies two main visual strategies of domestication, namely mythification and anthropomorphization. Throughout the text it is argued that visual representations of electricity for residential users undermined the quasi-neutral definition of electricity as a modern power and rather worked to frame electricity as a means of distinction and pictured a pretentious modernity.